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“Did you see anything that suggested this sort of business in–in–that woman–I mean in–your pilgrimage, Jack?”

“No,” responded Jack, gravely. “But it’s easy to see she’s got hold of some hay-footed fellow up there in the mountains with straws in his hair, and is playing him for all he’s worth. You won’t get much more poetry out of her, I reckon.”

Is was not long after this conversation that one afternoon, when the editor was alone, Mr. James Bowers entered the editorial room with much of the hesitation and irresolution of his previous visit. As the editor had not only forgotten him, but even, dissociated him with the poetess, Mr. Bowers was fain to meet his unresponsive eye and manner with some explanation.

“Ye disremember my comin’ here, Mr. Editor, to ask you the name o’ the lady who called herself ‘White Violet,’ and how you allowed you couldn’t give it, but would write and ask for it?”

Mr. Editor, leaning back in his chair, now remembered the occurrence, but was distressed to add that the situation remained unchanged, and that he had received no such permission.

“Never mind THAT, my lad,” said Mr. Bowers, gravely, waving his hand. “I understand all that; but, ez I’ve known the lady ever since, and am now visiting her at her house on the Summit, I reckon it don’t make much matter.”

It was quite characteristic of Mr. Bowers’s smileless earnestness that he made no ostentation of this dramatic retort, nor of the undisguised stupefaction of the editor.

“Do you mean to say that you have met White Violet, the author of these poems?” repeated the editor.

“Which her name is Delatour,–the widder Delatour,–ez she has herself give me permission to tell you,” continued Mr. Bowers, with a certain abstracted and automatic precision that dissipated any suggestion of malice in the reversed situation.

“Delatour!–a widow!” repeated the editor.

“With five children,” continued Mr. Bowers. Then, with unalterable gravity, he briefly gave an outline of her condition and the circumstances of his acquaintance with her.

“But I reckoned YOU might have known suthin’ o’ this; though she never let on you did,” he concluded, eying the editor with troubled curiosity.

The editor did not think it necessary to implicate Mr. Hamlin. He said, briefly, “I? Oh, no!”

“Of course, YOU might not have seen her?” said Mr. Bowers, keeping the same grave, troubled gaze on the editor.

“Of course not,” said the editor, somewhat impatient under the singular scrutiny of Mr. Bowers; “and I’m very anxious to know how she looks. Tell me, what is she like?”

“She is a fine, pow’ful, eddicated woman,” said Mr. Bowers, with slow deliberation. “Yes, sir,–a pow’ful woman, havin’ grand ideas of her own, and holdin’ to ’em.” He had withdrawn his eyes from the editor, and apparently addressed the ceiling in confidence.

“But what does she look like, Mr. Bowers?” said the editor, smiling.

“Well, sir, she looks–LIKE–IT! Yes,”–with deliberate caution,–“I should say, just like it.”

After a pause, apparently to allow the editor to materialize this ravishing description, he said, gently, “Are you busy just now?”

“Not very. What can I do for you?”

“Well, not much for ME, I reckon,” he returned, with a deeper respiration, that was his nearest approach to a sigh, “but suthin’ perhaps for yourself and–another. Are you married?”

“No,” said the editor, promptly.

“Nor engaged to any–young lady?”–with great politeness.

“No.”

“Well, mebbe you think it a queer thing for me to say,–mebbe you reckon you KNOW it ez well ez anybody,–but it’s my opinion that White Violet is in love with you.”

“With me?” ejaculated the editor, in a hopeless astonishment that at last gave way to an incredulous and irresistible laugh.

A slight touch of pain passed over Mr. Bowers’s dejected face, but left the deep outlines set with a rude dignity. “It’s SO,” he said, slowly, “though, as a young man and a gay feller, ye may think it’s funny.”

“No, not funny, but a terrible blunder, Mr. Bowers, for I give you my word I know nothing of the lady and have never set eyes upon her.”