**** ROTATE **** **** ROTATE **** **** ROTATE **** **** ROTATE ****

Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

PAGE 6

A Romance Of The Line
by [?]

They both pursued it. Discarding the useless lasso, he had recourse to a few well-aimed epithets. The infuriated animal swerved and made directly towards a small fountain in the centre of the garden. In attempting to clear it, it fell directly into the deep cup-like basin and remained helplessly fixed, with its fore-legs projecting uneasily beyond the rim.

“Let us leave it there,” she said, “and forget it–and all that has gone before. Believe me,” she added, with a faint sigh, “it is best. Our paths diverge from this moment. I go to the summer-house, and you go to the Hall, where my father is expecting you.” He would have detained her a moment longer, but she glided away and was gone.

Left to himself again, that slight sense of bewilderment which had clouded his mind for the last hour began to clear away; his singular encounter with the girls strangely enough affected him less strongly than his brief and unsatisfactory interview with his uncle. For, after all, he was his host, and upon him depended his stay at Hawthorn Hall. The mysterious and slighting allusions of his cousins to the old man’s eccentricities also piqued his curiosity. Why had they sneered at his description of the contents of the package he carried–and what did it really contain? He did not reflect that it was none of his business,–people in his situation seldom do,–and he eagerly hurried towards the Hall. But he found in his preoccupation he had taken the wrong turning in the path, and that he was now close to the wall which bounded and overlooked the highway. Here a singular spectacle presented itself. A cyclist covered with dust was seated in the middle of the road, trying to restore circulation to his bruised and injured leg by chafing it with his hands, while beside him lay his damaged bicycle. He had evidently met with an accident. In an instant Paul had climbed the wall and was at his side.

“Can I offer you any assistance?” he asked eagerly.

“Thanks–no! I’ve come a beastly cropper over something or other on this road, and I’m only bruised, though the machine has suffered worse,” replied the stranger, in a fresh, cheery voice. He was a good-looking fellow of about Paul’s own age, and the young American’s heart went out towards him.

“How did it happen?” asked Paul.

“That’s what puzzles me,” said the stranger. “I was getting out of the way of a queer old chap in the road, and I ran over something that seemed only an old scroll of paper; but the shock was so great that I was thrown, and I fancy I was for a few moments unconscious. Yet I cannot see any other obstruction in the road, and there’s only that bit of paper.” He pointed to the paper,–a half-crushed roll of ordinary foolscap, showing the mark of the bicycle upon it.

A strange idea came into Paul’s mind. He picked up the paper and examined it closely. Besides the mark already indicated, it showed two sharp creases about nine inches long, and another exactly at the point of the impact of the bicycle. Taking a folded two-foot rule from his pocket, he carefully measured these parallel creases and made an exhaustive geometrical calculation with his pencil on the paper. The stranger watched him with awed and admiring interest. Rising, he again carefully examined the road, and was finally rewarded by the discovery of a sharp indentation in the dust, which, on measurement and comparison with the creases in the paper and the calculations he had just made, proved to be identical.

“There was a solid body in that paper,” said Paul quietly; “a parallelogram exactly nine inches long and three wide.”

“I say! you’re wonderfully clever, don’t you know,” said the stranger, with unaffected wonder. “I see it all–a brick.”

Paul smiled gently and shook his head. “That is the hasty inference of an inexperienced observer. You will observe at the point of impact of your wheel the parallel crease is CURVED, as from the yielding of the resisting substances, and not BROKEN, as it would be by the crumbling of a brick.”