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But this could not be now. The volatile bridegroom had upset the wisely conceived plan, and “all the fat was in the fire,” as Margaret philosophically put it. Mr. O’Rourke had been fully instructed in the part he was to play, and, to do him justice, had honestly intended to play it; but destiny was against him. It may be observed that destiny and Mr. O’Rourke were not on very friendly terms.

After the ceremony had been performed and Margaret had stolen back to the Bilkins mansion, as related, Mr. O’Rourke with his own skilful hands had brewed a noble punch for the wedding guests. Standing at the head of the table and stirring the pungent mixture in a small wash-tub purchased for the occasion, Mr. O’Rourke came out in full flower. His flow of wit, as he replenished the glasses, was as racy and seemingly as inexhaustible as the punch itself. When Mrs. McLaughlin held out her glass, inadvertently upside down, for her sixth ladleful, Mr. O’Rourke gallantly declared it should be filled if he had to stand on his head to do it. The elder Miss O’Leary whispered to Mrs. Connally that Mr. O’Rourke was “a perfic gintleman,” and the men in a body pronounced him a bit of the raal shamrock. If Mr. O’Rourke was happy in brewing a punch, he was happier in dispensing it, and happiest of all in drinking a great deal of it himself. He toasted Mrs. Finnigan, the landlady, and the late lamented Finnigan, the father, whom he had never seen, and Miss Biddy Finnigan, the daughter, and a young toddling Finnigan, who was at large in shockingly scant raiment. He drank to the company individually and collectively, drank to the absent, drank to a tin-peddler who chanced to pass the window, and indeed was in that propitiatory mood when he would have drunk to the health of each separate animal that came out of the Ark. It was in the midst of the confusion and applause which followed his song, “The Wearing of the Grane,” that Mr. O’Rourke, the punch being all gone, withdrew unobserved, and went in quest of Mrs. O’Rourke–with what success the reader knows.

*****

According to the love-idyl of the period, when Laura and Charles Henry, after unheard-of obstacles, are finally united, all cares and tribulations and responsibilities slip from their sleek backs like Christian’s burden. The idea is a pretty one, theoretically, but, like some of those models in the Patent Office at Washington, it fails to work. Charles Henry does not go on sitting at Laura’s feet and reading Tennyson to her forever: the rent of the cottage by the sea falls due with prosaic regularity; there are bakers, and butchers, and babies, and tax-collectors, and doctors, and undertakers, and sometimes gentlemen of the jury, to be attended to. Wedded life is not one long amatory poem with recurrent rhymes of love and dove, and kiss and bliss. Yet when the average sentimental novelist has supplied his hero and heroine with their bridal outfit and arranged that little matter of the marriage certificate, he usually turns off the gas, puts up his shutters, and saunters off with his hands in his pockets, as if the day’s business were over. But we, who are honest dealers in real life and disdain to give short weight, know better. The business is by no means over; it is just begun. It is not Christian throwing off his pack for good and all, but Christian taking up a load heavier and more difficult than any he has carried.

If Margaret Callaghan, when she meditated matrimony, indulged in any roseate dreams, they were quickly put to flight. She suddenly found herself dispossessed of a quiet, comfortable home, and face to face with the fact that she had a white elephant on her hands. It is not likely that Mr. O’Rourke assumed precisely the shape of a white elephant to her mental vision; but he was as useless and cumbersome and unmanageable as one.