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PAGE 2

A Resuscitation
by [?]

Culross did not remember having been born with a pen in his hand, or even with one behind his ear; but certainly from the day he had been let out of knickerbockers his constant companion had been that greatly over-estimated article. His father dying at a time that cut short David’s school-days, he went out armed with his new knowledge of double-entry, determined to make a fortune and a commercial name. Meantime, he lived in a suite of three rooms on West Madison Street with his mother, who was a good woman, and lived where she did that she might be near her favorite meeting-house. She prayed, and cooked bad dinners, principally composed of dispiriting pastry. Her idea of house-keeping was to keep the shades down, whatever happened; and when David left home in the evening for any purpose of pleasure, she wept. David persuaded himself that he despised amusement, and went to bed each night at half-past nine in a folding bedstead in the front room, and, by becoming absolutely stolid from mere vegetation, imagined that he was almost fit to be a Head Clerk.

Walking down the street now after the twenty years, thinking of these dead but innocent days, this was the picture he saw; and as he reflected upon it, even the despoiled and desolate years just passed seemed richer by contrast.

He reached the station thus dreaming, and found, as he had been told when the warden bade him good-by, that a train was to be at hand directly bound to the city. A few moments later he was on that train. Well back in the shadow, and out of sight of the other passengers, he gave himself up to the enjoyment of the comfortable cushion. He would willingly have looked from the window,–green fields were new and wonderful; drifting clouds a marvel; men, houses, horses, farms, all a revelation,–but those haunting visions were at him again, and would not leave brain or eye free for other things.

But the next scene had warmer tints. It was the interior of a rich room,–crimson and amber fabrics, flowers, the gleam of a statue beyond the drapings; the sound of a tender piano unflinging a familiar melody, and a woman. She was just a part of all the luxury.

He himself, very timid and conscious of his awkwardness, sat near, trying barrenly to get some of his thoughts out of his brain on to his tongue.

“Strange, isn’t it,” the woman broke in on her own music, “that we have seen each other so very often and never spoken? I’ve often thought introductions were ridiculous. Fancy seeing a person year in and year out, and really knowing all about him, and being perfectly acquainted with his name–at least his or her name, you know–and then never speaking! Some one comes along, and says, ‘Miss Le Baron, this is Mr. Culross,’ just as if one didn’t know that all the time! And there you are! You cease to be dumb folks, and fall to talking, and say a lot of things neither of you care about, and after five or six weeks of time and sundry meetings, get down to honestly saying what you mean. I’m so glad we’ve got through with that first stage, and can say what we think and tell what we really like.”

Then the playing began again,–a harp-like intermingling of soft sounds. Zoe Le Baron’s hands were very girlish. Everything about her was unformed. Even her mind was so. But all promised a full completion. The voice, the shoulders, the smile, the words, the lips, the arms, the whole mind and body, were rounding to maturity.

“Why do you never come to church in the morning?” asks Miss Le Baron, wheeling around on her piano-stool suddenly. “You are only there at night, with your mother.”

“I go only on her account,” replies David, truthfully. “In the morning I am so tired with the week’s work that I rest at home. I ought to go, I know.”