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“Yes: Homer sees what he sings; David feels his song.”

“Homer’s is perfect in its description.”

“Yes; but for life, for the soul of the description, you need the Hebrew.”

“Homer might be blind; and, with that fancy and word-painting power of his, and his study of everything new, he would paint pictures as he sang, though unseen.”

“Yes,” said another; “but David–” And he paused.

“But David?” asked the chief.

“I was going to say that he might be blind, deaf, imprisoned, exiled, sick, or all alone, and that yet he would never know he was alone; feeling as he does, as he must to sing so, of the presence of this Lord of his!”

“He does not think of a snow-flake, but as sent from him.”

“While the snow-flake is reminding Homer of that hard, worrying, slinging work of battle. He must have seen fight himself.”

They were hushed again. For, though they no longer dared ask the poets to sing to them,–so engrossed were they in each other’s society,–the soldiers were hardly losers from this modest courtesy. For the poets were constantly arousing each other to strike a chord, or to sing some snatch of remembered song. And so it was that Homer, apropos of I do not know what, sang in a sad tone:–

“Like leaves on trees the race of man is found,
Now green in youth, now withering on the ground:
Another race the following spring supplies;
They fall successive, and successive rise.
So generations in their course decay,
So flourish these, when those have passed away.”[D]

[Footnote D: Iliad, vi–POPE.]

David waited for a change in the strain; but Homer stopped. The young Hebrew asked him to go on; but Homer said that the passage which followed was mere narrative, from a long narrative poem. David looked surprised that his new friend had not pointed a moral as he sang; and said simply, “We sing that thus:–

“As for man, his days are as grass;
As a flower of the field, so he flourisheth;
For the wind passeth over it, and it is gone,
And the place thereof shall know it no more.
But the mercy of the Lord
Is from everlasting to everlasting
Of them that fear him;
And his righteousness
Unto children’s children,
To such as keep his covenant,
As remember his commandments to do them!”

Homer’s face flashed delighted. “I, like you, ‘keep his covenant,'” he cried; and then without a lyre, for his was still in David’s hands, he sang, in clear tone:–

“Thou bid’st me birds obey;–I scorn their flight,
If on the left they rise, or on the right!
Heed them who may, the will of Jove I own,
Who mortals and immortals rules alone!”[E]

[Footnote E: Iliad, xii., after Sotheby.]

“That is more in David’s key,” said the young Philistine harper, seeing that the poets had fallen to talk together again. “But how would it sound in one of the hymns on one of our feast-days?”

“Who mortals and immortals rules alone.”

“How, indeed?” cried one of his young companions. “There would be more sense in what the priests say and sing, if each were not quarrelling for his own,–Dagon against Astarte, and Astarte against Dagon.”

The old captain bent over, that the poets might not hear him, and whispered: “There it is that the Hebrews have so much more heart than we in such things. Miserable fellows though they are, so many of them, yet, when I have gone through their whole land with the caravans, the chances have been that any serious-minded man spoke of no God but this ‘He‘ of David’s.”

“What is his name?”

“They do not know themselves, I believe.”

“Well, as I said an hour ago, God’s man or Dagon’s man,–for those are good names enough for me,–I care little; but I should like to sing as that young fellow does.”