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The Madonna is neighbored by several paintings, if the kind called Grecian for a reason never revealed by the inventor of an art as old as potichomanie itself. It was an art by which ordinary lithographs were given a ghastly transparency, and a tone as disagreeable as chromos; and I doubt if it could have been known to the Greeks in their best age. But I remember very well when it passed over whole neighborhoods in some parts of this country, wasting the time of many young women, and disfiguring parlor walls with the fruit of their accomplishment. It was always taught by Professors, a class of learned young men who acquired their title by abandoning the plough and anvil, and, in a suit of ready-made clothing, travelling about the country with portfolios under their arms. It was an experience to make loafers for life of them: and I fancy the girls who learnt their art never afterwards made so good butter and cheese.

“Non-ragioniam di lor, ma guarda e passa.”

Besides the Grecian paintings there are some mezzotints; full length pictures of presidents and statesmen, chiefly General Jackson, Henry Clay, and Daniel Webster, which have hung their day in the offices or parlors of country politicians. They are all statesmanlike and presidential in attitude; and I know that if the mighty Webster’s lips had language, he would take his hand out of his waistcoat front, and say to his fellow mezzotints: “Venerable men! you have come down to us from a former generation, bringing your household furniture and miscellaneous trumpery of all kinds with you.”

Some old-fashioned entry lanterns divide my interest with certain old willow chairs of an hour-glass pattern, which never stood upright, probably, and have now all a confirmed droop to one side, as from having been fallen heavily asleep in, upon breezy porches, of hot summer afternoons. In the windows are small vases of alabaster, fly-specked Parian and plaster figures, and dolls with stiff wooden limbs and papier-mache heads, a sort of dolls no longer to be bought in these days of modish, blue-eyed blondes of biscuit and sturdy india-rubber brunettes. The show-case is full of an incredible variety, as photograph albums, fishing-hooks, socks, suspenders, steel pens, cutlery of all sorts, and curious old colored prints of Adelaide, and Kate, and Ellen. A rocking-horse is stabled near amid pendent lengths of second-hand carpeting, hat-racks, and mirrors; and standing cheek-by-jowl with painted washstands and bureaus are some plaster statues, aptly colored and varnished to represent bronze.

There is nothing here but has a marked character of its own, some distinct yet intangible trait acquired from former circumstances; and doubtless all these things have that lurking likeness to former owners which clothes and furniture are apt to take on from long association, and which we should instantly recognize could they be confronted with their late proprietors. It seems, in very imaginative moments, as if the strange assemblage of incongruities must have a consciousness of these latent resemblances, which the individual pieces betray when their present keeper turns the key upon them, and abandons them to themselves at night; and I have sometimes fancied such an effect in the late twilight, when I have wandered into their resting-place, and have beheld them in the unnatural glare of a kerosene lamp burning before a brightly polished reflector, and casting every manner of grotesque shadow upon the floor and walls. But this may have been an illusion; at any rate I am satisfied that the bargain-driving capacity of the storekeeper is not in the least affected by a weird quality in his wares; though they have not failed to impart to him something of their own desultory character. He sometimes leaves a neighbor in charge when he goes to meals, and then, if I enter, I am watchfully followed about from corner to corner, and from room to room, lest I pocket a mattress or slip a book-case under my coat. The storekeeper himself never watches me; perhaps he knows that it is a purely professional interest I take in the collection; that I am in the trade and have a secondhand shop of my own, full of poetical rubbish, and every sort of literary odds and ends, picked up at random, and all cast higgledy-piggledy into the same chaotic receptacle. His customers are as little like ordinary shoppers as he is like common tradesmen. They are in part the Canadians who work in the brickyards, and it is surprising to find how much business can be transacted, and how many sharp bargains struck without the help of a common language. I am in the belief, which may be erroneous, that nobody is wronged in these trades. The taciturn storekeeper, who regards his customers with a stare of solemn amusement as Critturs born by some extraordinary vicissitude of nature to the use of a language that practically amounts to deafness and dumbness, never suffers his philosophical interest in them to affect his commercial efficiency; he drops them now and then a curt English phrase, or expressive Yankee idiom; he knows very well when they mean to buy and when they do not; and they equally wary and equally silent, unswayed by the glib allurements of a salesman, judge of price and quality for themselves, make their solitary offer, and stand or fall by it.