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PAGE 4

A Pedestrian Tour
by [?]

As I leave Dublin, the houses grow larger and handsomer; and as I draw near the Avenue, the Mansard-roofs look down upon me with their dormer-windows, and welcome me back to the American community. There are fences about all the houses, inclosing ampler and ampler dooryards; the children, which had swarmed in the thriftless and unenlightened purlieus of Dublin, diminish in number and finally disappear; the chickens have vanished; and I hear–I hear the pensive music of the horse-car bells, which in some alien land, I am sure, would be as pathetic to me as the Ranz des Vaches to the Swiss or the bagpipes to the Highlander: in the desert, where the traveller seems to hear the familiar bells of his far-off church, this tinkle would haunt the absolute silence, and recall the exile’s fancy to Charlesbridge; and perhaps in the mocking mirage he would behold an airy horse-car track, and a phantasmagoric horse-car moving slowly along the edge of the horizon, with spectral passengers closely packed inside and overflowing either platform.

But before I reach the Avenue, Dublin calls to me yet again, in the figure of an old, old man, wearing the clothes of other times, and a sort of ancestral round hat. In the act of striking a match he asks me the time of day, and, applying the fire to his pipe, he returns me his thanks in a volume of words and smoke. What a wrinkled and unshorn old man! Can age and neglect do so much for any of us? This ruinous person was associated with a hand-cart as decrepit as himself, but not nearly so cheerful; for though he spoke up briskly with a spirit uttered from far within the wrinkles and the stubble, the cart had preceded him with a very lugubrious creak. It groaned, in fact, under a load of tin cans, and I was to learn from the old man that there was, and had been, in his person, for thirteen years, such a thing in the world as a peddler of buttermilk, and that these cans were now filled with that pleasant drink. They did not invite me to prove their contents, being cans that apparently passed their vacant moments in stables and even manure-heaps, and that looked somehow emulous of that old man’s stubble and wrinkles. I bought nothing, but I left the old peddler well content, seated upon a thill of his cart, smoking tranquilly, and filling the keen spring evening air with fumes which it dispersed abroad, and made to itself a pleasant incense of.

I left him a whole epoch behind, as I entered the Avenue and lounged homeward along the stately street. Above the station it is far more picturesque than it is below, and the magnificent elms that shadow it might well have looked, in their saplinghood, upon the British straggling down the country road from the Concord fight; and there are some ancient houses yet standing that must have been filled with exultation at the same spectacle. Poor old revolutionaries! they would never have believed that their descendants would come to love the English as we do.

The season has advanced rapidly during my progress from Dublin to the Avenue; and by the time I reach the famous old tavern, not far from the station, it is a Sunday morning of early summer, and the yellow sunlight falls upon a body of good comrades who are grooming a marvelous number of piebald steeds about the stable-doors. By token of these beasts–which always look so much more like works of art than of nature–I know that there is to be a circus somewhere very soon; and the gay bills pasted all over the stable-front tell me that there are to be two performances at the Port on the morrow. The grooms talk nothing and joke nothing but horse at their labor; and their life seems such a low, ignorant, happy life, that the secret nomad lurking in every respectable and stationary personality stirs within me and struggles to strike hands of fellowship with them. They lead a sort of pastoral existence in our age of railroads; they wander over the continent with their great caravan, and everywhere pursue the summer from South to North and from North to South again; in the mild forenoons they groom their herds, and in the afternoons they doze under their wagons, indifferent to the tumult of the crowd within and without the mighty canvas near them,–doze face downwards on the bruised, sweet-smelling grass; and in the starry midnight rise and strike their tents, and set forth again over the still country roads, to take the next village on the morrow with the blaze and splendor of their “Grand Entree.” The triumphal chariot in which the musicians are borne at the head of the procession is composed, as I perceive by the bills, of four colossal gilt swans, set tail to tail, with lifted wings and curving necks; but the chariot, as I behold it beside the stable, is mysteriously draped in white canvas, through which its gilding glitters only here and there. And does it move thus shrouded in the company’s wanderings from place to place, and is the precious spottiness of the piebalds then hidden under envious drapery? O happy grooms,–not clean as to shirts, nor especially neat in your conversation, but displaying a Wealth of art in India-ink upon your manly chests and the swelling muscles of your arms, and speaking in every movement your freedom from all conventional gyves and shackles, “seid umschlungen!”–in spirit; for the rest, you are rather too damp, and seem to have applied your sudsy sponges too impartially to your own trousers and the horses’ legs to receive an actual embrace from a dilettante vagabond.