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PAGE 2

A Pedestrian Tour
by [?]

It is perhaps in a pious recognition of our mortality that Dublin is built around the Irish grave-yard. Most of its windows look out upon the sepulchral monuments and the pretty constant arrival of the funeral trains with their long lines of carriages bringing to the celebration of the sad ultimate rites those gay companies of Irish mourners. I suppose that the spectacle of such obsequies is not at all depressing to the inhabitants of Dublin; but that, on the contrary, it must beget in them a feeling which, if not resignation to death, is, at least, a sort of sub-acute cheerfulness in his presence. None but a Dubliner, however, would have been greatly animated by a scene which I witnessed during a stroll through this cemetery one afternoon of early spring. The fact that a marble slab or shaft more or less sculptured, and inscribed with words more or less helpless, is the utmost that we can give to one whom once we could caress with every tenderness of speech and touch, and that, after all, the memorial we raise is rather to our own grief, and is a decency, a mere conventionality,–this is a dreadful fact on which the heart breaks itself with such a pang, that it always seems a desolation never recognized, an anguish never felt before. Whilst I stood revolving this thought in my mind, and reading the Irish names upon the stones and the black head-boards,–the latter adorned with pictures of angels, once gilt, but now weather-worn down to the yellow paint,–a wail of intolerable pathos filled the air: “O my darling, O my darling! O–O–O!” with sobs and groans and sighs; and, looking about, I saw two women, one standing upright beside another that had cast herself upon a grave, and lay clasping it with her comfortless arms, uttering these cries. The grave was a year old at least, but the grief seemed of yesterday or of that morning. At times the friend that stood beside the prostrate woman stooped and spoke a soothing word to her, while she wailed out her woe; and in the midst some little ribald Irish boys came scuffling and quarreling up the pathway, singing snatches of an obscene song; and when both the wailing and the singing had died away, an old woman, decently clad, and with her many-wrinkled face softened by the old-fashioned frill running round the inside of her cap, dropped down upon her knees beside a very old grave, and clasped her hands in a silent prayer above it.

If I had beheld all this in some village campo santo in Italy, I should have been much more vividly impressed by it, as an aesthetical observer; whereas I was now merely touched as a human being, and had little desire to turn the scene to literary account. I could not help feeling that it wanted the atmosphere of sentimental association, the whole background was a blank or worse than a blank. Yet I have not been able to hide from myself so much as I would like certain points of resemblance between our Irish and the poorer classes of Italians. The likeness is one of the first things that strikes an American in Italy, and I am always reminded of it in Dublin. So much of the local life appears upon the street; there is so much gossip from house to house, and the talk is always such a resonant clamoring; the women, bareheaded, or with a shawl folded over the head and caught beneath the chin with the hand, have such a contented down-at-heel aspect, shuffling from door to door, or lounging, arms akimbo, among the cats and poultry at their own thresholds, that one beholding it all might well fancy himself upon some Italian calle or vicolo. Of course the illusion does not hold good on a Sunday, when the Dubliners are coming home from church in their best,–their extraordinary best bonnets and their prodigious silk hats. It does not hold good in any way or at any time, except upon the surface, for there is beneath all this resemblance the difference that must exist between a race immemorially civilized and one which has lately emerged from barbarism “after six centuries of oppression.” You are likely to find a polite pagan under the mask of the modern Italian you feel pretty sure that any of his race would with a little washing and skillful manipulation, restore, like a neglected painting, into something genuinely graceful and pleasing; but if one of these Yankeefied Celts were scraped, it is but too possible that you might find a kern, a Whiteboy, or a Pikeman. The chance of discovering a scholar or a saint of the period when Ireland was the centre of learning, and the favorite seat of the Church, is scarcely one in three.