FullReads

Alencon Barre drew his sword. “Villains!” he cried, and pressed the point against the breast of the leader, who drew back. Then Gabrielle’s voice was heard: “No, no, my children,” she said, “no more of that to-day–not to-day. Let the man go.” Her face was white and drawn.

Shorland had been turning over in his mind all the events of the last few moments, and he thought as he looked at her that just such women had made a hell of the Paris Commune. But one thought dominated all others. What was the meaning of her excitement when she saw the portrait–the portrait of Luke Freeman?

He felt that he was standing on the verge of some tragic history.

Barre’s sword again made a clear circle round him, and he said: “Shame, Frenchmen! This gentleman is no spy. He is the friend of the Governor–he is my friend. He is English? Well, where is the English flag, there are the French–good French-protected. Where is the French flag, there shall the English–good English–be safe.”

As they moved towards the door Gabrielle came forward, and, touching Shorland’s arm, said in English: “You will come again, monsieur? You shall be safe altogether. You will come?” Looking at her searchingly, he answered slowly: “Yes, I will come.”

As they left the turbulent crowd behind them and stepped into the street, Barr$ said: “You should have gone at once to the Hotel du Gouverneur and presented your letters, monsieur, or, at least, have avoided the Cafe Voisin. Noumea is the Whitechapel and the Pentonville of France, remember.”

Shorland acknowledged his error, thanked his rescuer, enjoyed the situation, and was taken to Governor Rapont, by whom he was cordially received, and then turned over to the hospitality of the officers of the post. It was conveyed to him later by letters of commendation from the Governor that he should be free to go anywhere in the islands and to see whatever was to be seen, from convict prison to Hotel Dieu.

II

Sitting that night in the rooms of Alencon Barre, this question was put to Blake Shorland by his host: “What did Gabrielle say to you as we left, monsieur? And why did she act so, when she saw the portrait? I do not understand English well, and it was not quite clear.”

Shorland had a clear conviction that he ought to take Alencon Barre into his confidence. If Gabrielle Rouget should have any special connection with Luke Freeman, there might be need of the active counsel of a friend like this young officer, whose face bespoke chivalry and gentle birth. Better that Alencon Barre should know all, than that he should know in part and some day unwittingly make trouble. So he raised frank eyes to those of the other, and told the story of the man whose portrait had so affected Gabrielle Rouget.

“Monsieur,” said he, “I will tell you of this man first, and then it will be easier to answer your questions.”

He took the portrait from his pocket, passed it over, and continued. “I received this portrait in a letter from England the day that I left Sydney, as I was getting aboard the boat. I placed it among those papers which you read. It fell out on the floor of the cafe, and you saw the rest. The man whose face is before you there, and who sent that to me, was my best friend in the days when I was at school and college. Afterwards, when a law-student, and, still later, when I began to practise my profession, we lived together in a rare old house at Fulham, with high garden walls and–but I forget, you do not know London perhaps. Yes? Well, the house is neither here nor there; but I like to think of those days and of that home. Luke Freeman–that was my friend’s name–was an artist and a clever one. He had made a reputation by his paintings of Egyptian and Algerian life. He was brilliant and original, an indefatigable worker. Suddenly, one winter, he became less industrious, fitful in his work, gloomy one day and elated the next, generally uncomfortable. What was the matter? Strange to say, although we were such friends, we chose different sets of society, and therefore seldom appeared at the same houses or knew the same people. He liked most things continental; he found his social pleasures in that polite Bohemia which indulges in midnight suppers and permits ladies to smoke cigarettes after dinner, which dines at rich men’s tables and is hob-a-nob with Russian Counts, Persian Ministers, and German Barons. That was not to my taste, save as a kind of dramatic entertainment to be indulged in at intervals like a Drury Lane pantomime. But though I had no proof that such was the case, I knew Luke Freeman’s malady to be a woman. I taxed him with it. He did not deny it. He was painting at the time, I remember, and he testily and unprofitably drew his brush across the face of a Copt woman he was working at, and bit off the end of a cigar. I asked him if it was another man’s wife; he promptly said no. I asked him if there were any awkward complications any inconsiderate pressure from the girl’s parents of brothers; and he promptly told me to be damned. I told him I thought he ought to know that an ambitious man might as well drown himself at once as get a fast woman in his path. Then he showed a faculty for temper and profanity that stunned me. But the up shot was that I found the case straight enough to all appearances. The woman was a foreigner and not easy to win; was beautiful, had a fine voice, loved admiration, and possessed a scamp of a brother who, wanted her to marry a foreigner, so that, according to her father’s will, a large portion of her fortune would come to him…. Were you going to speak? No? Very well. Things got worse and worse. Freeman neglected business and everything else, became a nuisance. He never offered to take me to see the lady, and I did not suggest it, did not even know where she lived. What galled me most in the matter was that Freeman had been for years attentive to a cousin of mine, Clare Hazard, almost my sister, indeed, since she had been brought up in my father’s house; and I knew that from a child she had adored him. However, these things seldom work out according to the law of Nature, and so I chewed the cud of dissatisfaction and kept the thing from my cousin as long as I could. About the time matters seemed at a crisis I was taken ill, and was ordered south. My mother and Freeman accompanied me as far as Paris. Here Freeman left me to return to England, and in the Cafe Voisin, at Paris–yes, mark that–we had our farewell. I have never seen him since. While in Italy I was brought to death’s door by my illness; and when I got up, Clare told me that Freeman was married and had gone to Egypt. She, poor girl, bore it well. I was savage, but it was too late. I was ordered to go to the South Seas, at least to take a long sea-voyage; and though I could not well afford it I started for Australia. On my way out I stopped off at Port Said to try and find Freeman in Egypt, but failed. I heard of him at Cairo, and learned also that his wife’s brother had joined them. Two years passed, and then I got a letter from an old friend, saying that Freeman’s wife had eloped with a Frenchman. Another year, and then came a letter from Freeman himself, saying that his wife was dead; that he had identified her body in the Morgue at Paris–found drowned, and all that. He believed that remorse had driven her to suicide. But he had no trace of the brother, no trace of the villain whom he had scoured Europe and America over to find. Again, another three years, and now he writes me that he is going to be married to Clare Hazard on the twenty sixth of this month. With that information came this portrait. I tell you all, M. Barre, because I feel that this woman Gabrielle has some connection with the past life of my friend Luke Freeman. She recognised the face, and you saw the effect. Now will you tell me what you know about her?”