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Sparks soared high and far on the smoke-laden wind, scurrying townward across the barren quarry-lands. The vast canopy was red with the glow of flying embers and fire-lit clouds. Below, in the dusty road, swarmed the long procession of citizens. Grim, stark hemlocks gleamed in the weird, uncanny light that turned the green of their foliage and the black of their trunks into the colour of the rose on the side facing the fire, but left them dark and forbidding on the other. The telegraph-poles beyond the burning warehouse lining the railroad spur that ventured down from the main line some miles away and terminated at Smock’s, loomed up like lofty gibbets in the ghastly light. Three quarters of a mile from the scene of the conflagration lay the homes of the people who lived on the rim of Tinkletown, and there also were the two churches and the motion-picture houses.

“We got to save them picture-houses,” panted Anderson, and then in hasty apology,–“and the churches, too.”

“You got to save my studio first,” bawled Elmer K. Pratt, the photographer, trying to keep pace with him in the congested line.

“Halt!” commanded the chief, not because tactics called for such an action but because he was beginning to feel that he couldn’t keep up with the engine.

The cavalcade eased down to a walk and finally came to a halt. Every eye was riveted on the burning structure which now stood out alone in all its grandeur beyond the quarries and gravel-pits. Every one waited in breathless suspense for the collapse of the towering walls.

A shrill, boyish voice broke out above the subdued, awe-struck chatter of the crowd.

“Where’s Mr. Crow? Mr. Crow! Where are you?”

“Sh!” hissed Alf Reesling, glowering upon the excited boy, who had just come up at full speed from the direction of the town. “Don’t you make so much noise! The walls are going to cave in, an’–“

“Where’s Mr. Crow?” panted the boy, a lad of twelve. His eyes appeared starting from his head. A second boy joined him, and he was trembling so violently that he could not speak at all. All he could do was to point at the lank figure of the old town marshal, some distance back in the crowd.

Three seconds later the two youngsters had the ear of Anderson Crow, and between them they poured it full of news of the most extraordinary character. The crowd, forgetting the imminent crash of the warehouse wall, pressed eagerly forward.

“Wait a second–wait a second!” roared Anderson. “One at a time now. Don’t both of you talk at oncet. You, Bud–you tell it. You keep still, Roswell Hatch. Take your time, Bud!”

“Lemme tell it, Mr. Crow,” begged Roswell. “I knowed it first. It ain’t fair for Bud to–“

“But I got here first,” protested Bud, and there might have been something more sanguinary than mere words if Marshal Crow had not interfered.

“None o’ that, now! What’s the matter, Bud?”

“Somethin’ turrible has happened, Mr. Crow–somethin’ awfully turrible,” wheezed the boy.

“If you derned little scalawags have run all the way from town to tell me that Smock’s warehouse is on fire, you’d–“

“Oh, gee, that ain’t nothin’!” gulped Bud. “Wait till you hear what I know.”

“I can’t wait all night. I got to save Mr. Pratt’s studio, an’–“

“Well, you know them two tramps you put in the lock-up yesterday afternoon?” cried Bud.

“Desperit characters, both of ’em. I figgered they was up to some devilment an–“

“Well, they ain’t in any more; they’re out. Ros an’ me seen the whole business. We wuz–“

“Geminy crickets! What’s this? A jail-break? Out of the way, everybody! Two desperit villains are loose in town, an–“

“Hold on, Mr. Crow,” cried the other lad, seizing his opportunity. “There’s more’n two. Three or four more fellers from the outside come up an’ busted in the door an’ let’em out. Then they all run down the street to where the new bank is. Me an’ Bud seen some of ’em climb into one of the winders of the bank, an’ nen we struck out to find you, Mr. Crow. We thought maybe you’d like to know what–“