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A Literary Mosaic
by
“Egad!” exclaimed a rough, weather-beaten man, who was smoking a long churchwarden pipe at my end of the table, “my heart softens for him. Why, gossips, we’ve been in the same straits ourselves. Gadzooks, never did mother feel more concern for her eldest born than I when Rory Random went out to make his own way in the world.”
“Right, Tobias, right!” cried another man, seated at my very elbow.
“By my troth, I lost more flesh over poor Robin on his island, than had I the sweating sickness twice told. The tale was well-nigh done when in swaggers my Lord of Rochester–a merry gallant, and one whose word in matters literary might make or mar. `How now, Defoe,’ quoth he, `hast a tale on hand?’ `Even so, your lordship,’ I returned. `A right merry one, I trust,’ quoth he. `Discourse unto me concerning thy heroine, a comely lass, Dan, or I mistake.’ `Nay,’ I replied, `there is no heroine in the matter.’ `Split not your phrases,’ quoth he; `thou weighest every word like a scald attorney. Speak to me of thy principal female character, be she heroine or no.’ `My lord,’ I answered, `there is no female character.’ `Then out upon thyself and thy book too!’ he cried. `Thou hadst best burn it!’–and so out in great dudgeon, whilst I fell to mourning over my poor romance, which was thus, as it were, sentenced to death before its birth. Yet there are a thousand now who have read of Robin and his man Friday, to one who has heard of my Lord of Rochester.”
“Very true, Defoe,” said a genial-looking man in a red waistcoat, who was sitting at the modern end of the table. “But all this won’t help our good friend Smith in making a start at his story, which, I believe, was the reason why we assembled.”
“The Dickens it is!” stammered a little man beside him, and everybody laughed, especially the genial man, who cried out, “Charley Lamb, Charley Lamb, you’ll never alter. You would make a pun if you were hanged for it.”
“That would be a case of haltering,” returned the other, on which everybody laughed again.
By this time I had begun to dimly realise in my confused brain the enormous honour which had been done me. The greatest masters of fiction in every age of English letters had apparently made a rendezvous beneath my roof, in order to assist me in my difficulties. There were many faces at the table whom I was unable to identify; but when I looked hard at others I often found them to be very familiar to me, whether from paintings or from mere description. Thus between the first two speakers, who had betrayed themselves as Defoe and Smollett, there sat a dark, saturnine corpulent old man, with harsh prominent features, who I was sure could be none other than the famous author of Gulliver. There were several others of whom I was not so sure, sitting at the other side of the table, but I conjecture that both Fielding and Richardson were among them, and I could swear to the lantern-jaws and cadaverous visage of Lawrence Sterne. Higher up I could see among the crowd the high forehead of Sir Walter Scott, the masculine features of George Eliott, and the flattened nose of Thackeray; while amongst the living I recognised James Payn, Walter Besant, the lady known as “Ouida,” Robert Louis Stevenson, and several of lesser note. Never before, probably, had such an assemblage of choice spirits gathered under one roof.
“Well,” said Sir Walter Scott, speaking with a pronounced accent, “ye ken the auld proverb, sirs, `Ower mony cooks,’ or as the Border minstrel sang–
`Black Johnstone wi’ his troopers ten
Might mak’ the heart turn cauld,
But Johnstone when he’s a’ alane
Is waur ten thoosand fauld.’