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A Literary Mosaic
by
All this, however, is a mere preamble, and leads up to the fact that after ten years or so of drudgery I inherited a legacy which, though small, was sufficient to satisfy my simple wants. Finding myself independent, I rented a quiet house removed from the uproar and bustle of London, and there I settled down with the intention of producing some great work which should single me out from the family of the Smiths, and render my name immortal. To this end I laid in several quires of foolscap, a box of quill pens, and a sixpenny bottle of ink, and having given my housekeeper injunctions to deny me to all visitors, I proceeded to look round for a suitable subject.
I was looking round for some weeks. At the end of that time I found that I had by constant nibbling devoured a large number of the quills, and had spread the ink out to such advantage, what with blots, spills, and abortive commencements, that there appeared to be some everywhere except in the bottle. As to the story itself, however, the facility of my youth had deserted me completely, and my mind remained a complete blank; nor could I, do what I would, excite my sterile imagination to conjure up a single incident or character.
In this strait I determined to devote my leisure to running rapidly through the works of the leading English novelists, from Daniel Defoe to the present day, in the hope of stimulating my latent ideas and of getting a good grasp of the general tendency of literature. For some time past I had avoided opening any work of fiction because one of the greatest faults of my youth had been that I invariably and unconsciously mimicked the style of the last author whom I had happened to read. Now, however, I made up my mind to seek safety in a multitude, and by consulting ALL the English classics to avoid?? the danger of imitating any one too closely. I had just accomplished the task of reading through the majority of the standard novels at the time when my narrative commences.
It was, then, about twenty minutes to ten on the night of the fourth of June, eighteen hundred and eighty-six, that, after disposing of a pint of beer and a Welsh rarebit for my supper, I seated myself in my arm-chair, cocked my feet upon a stool, and lit my pipe, as was my custom. Both my pulse and my temperature were, as far as I know, normal at the time. I would give the state of the barometer, but that unlucky instrument had experienced an unprecedented fall of forty-two inches–from a nail to the ground– and was not in a reliable condition. We live in a scientific age, and I flatter myself that I move with the times.
Whilst in that comfortable lethargic condition which accompanies both digestion and poisoning by nicotine, I suddenly became aware of the extraordinary fact that my little drawing-room had elongated into a great salon, and that my humble table had increased in proportion. Round this colossal mahogany were seated a great number of people who were talking earnestly together, and the surface in front of them was strewn with books and pamphlets. I could not help observing that these persons were dressed in a most extraordinary mixture of costumes, for those at the end nearest to me wore peruke wigs, swords, and all the fashions of two centuries back; those about the centre had tight knee-breeches, high cravats, and heavy bunches of seals; while among those at the far side the majority were dressed in the most modern style, and among them I saw, to my surprise, several eminent men of letters whom I had the honour of knowing. There were two or three women in the company. I should have risen to my feet to greet these unexpected guests, but all power of motion appeared to have deserted me, and I could only lie still and listen to their conversation, which I soon perceived to be all about myself.