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A Knight
by
“Ah!” he said, “I was asleep? Too bad of me. He is a little noisy–I know so little about music. There is Bach, for instance. Would you believe it, he gives me no pleasure? A great misfortune to be no musician!” He shook his head.
I murmured, “Bach is too elevating for you perhaps.”
“To me,” he answered, “any music I like is elevating. People say some music has a bad effect on them. I never found any music that gave me a bad thought–no–no–quite the opposite; only sometimes, as you see, I go to sleep. But what a lovely instrument the violin!” A faint flush came on his parched cheeks. “The human soul that has left the body. A curious thing, distant bugles at night have given me the same feeling.” The orchestra was now coming back, and, folding his hands, my neighbour turned his eyes towards them. When the concert was over we came out together. Waiting at the entrance was his dog.
“You have a beautiful dog!”
“Ah! yes, Freda, mia cara, da su mano!” The dog squatted on her haunches, and lifted her paw in the vague, bored way of big dogs when requested to perform civilities. She was a lovely creature–the purest brindle, without a speck of white, and free from the unbalanced look of most dogs of her breed.
“Basta! basta!” He turned to me apologetically. “We have agreed to speak Italian; in that way I keep up the language; astonishing the number of things that dog will understand!” I was about to take my leave, when he asked if I would walk a little way with him–“If you are free, that is.” We went up the street with Freda on the far side of her master.
“Do you never ‘play’ here?” I asked him.
“Play? No. It must be very interesting; most exciting, but as a matter of fact, I can’t afford it. If one has very little, one is too nervous.”
He had stopped in front of a small hairdresser’s shop. “I live here,” he said, raising his hat again. “Au revoir!–unless I can offer you a glass of tea. It’s all ready. Come! I’ve brought you out of your way; give me the pleasure!”
I have never met a man so free from all self-consciousness, and yet so delicate and diffident the combination is a rare one. We went up a steep staircase to a room on the second floor. My companion threw the shutters open, setting all the flies buzzing. The top of a plane-tree was on a level with the window, and all its little brown balls were dancing, quite close, in the wind. As he had promised, an urn was hissing on a table; there was also a small brown teapot, some sugar, slices of lemon, and glasses. A bed, washstand, cupboard, tin trunk, two chairs, and a small rug were all the furniture. Above the bed a sword in a leather sheath was suspended from two nails. The photograph of a girl stood on the closed stove. My host went to the cupboard and produced a bottle, a glass, and a second spoon. When the cork was drawn, the scent of rum escaped into the air. He sniffed at it and dropped a teaspoonful into both glasses.
“This is a trick I learned from the Russians after Plevna; they had my little finger, so I deserved something in exchange.” He looked round; his eyes, his whole face, seemed to twinkle. “I assure you it was worth it–makes all the difference. Try!” He poured off the tea.
“Had you a sympathy with the Turks?”
“The weaker side–” He paused abruptly, then added: “But it was not that.” Over his face innumerable crow’s-feet had suddenly appeared, his eyes twitched; he went on hurriedly, “I had to find something to do just then–it was necessary.” He stared into his glass; and it was some time before I ventured to ask if he had seen much fighting.