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When terror and absurdity make alliance, the effect is frightful. This strong-hearted and daring man, this hardy night worker among the dead, this defiant antagonist of darkness and desolation, succumbed to a ridiculous surprise. He was smitten with a thrilling chill–shivered, and shook his massive shoulders as if to throw off an icy hand. He no longer breathed, and the blood in his veins, unable to abate its impetus, surged hotly beneath his cold skin. Unleavened with oxygen, it mounted to his head and congested his brain. His physical functions had gone over to the enemy; his very heart was arrayed against him. He did not move; he could not have cried out. He needed but a coffin to be dead–as dead as the death that confronted him with only the length of an open grave and the thickness of a rotting plank between.

Then, one by one, his senses returned; the tide of terror that had overwhelmed his faculties began to recede. But with the return of his senses he became singularly unconscious of the object of his fear. He saw the moonlight gilding the coffin, but no longer the coffin that it gilded. Raising his eyes and turning his head, he noted, curiously and with surprise, the black branches of the dead tree, and tried to estimate the length of the weather-worn rope that dangled from its ghostly hand. The monotonous barking of distant coyotes affected him as something he had heard years ago in a dream. An owl flapped awkwardly above him on noiseless wings, and he tried to forecast the direction of its flight when it should encounter the cliff that reared its illuminated front a mile away. His hearing took account of a gopher’s stealthy tread in the shadow of the cactus. He was intensely observant; his senses were all alert; but he saw not the coffin. As one can gaze at the sun until it looks black and then vanishes, so his mind, having exhausted its capacities of dread, was no longer conscious of the separate existence of anything dreadful. The Assassin was cloaking the sword.

It was during this lull in the battle that he became sensible of a faint, sickening odor. At first he thought it was that of a rattle-snake, and involuntarily tried to look about his feet. They were nearly invisible in the gloom of the grave. A hoarse, gurgling sound, like the death-rattle in a human throat, seemed to come out of the sky, and a moment later a great, black, angular shadow, like the same sound made visible, dropped curving from the topmost branch of the spectral tree, fluttered for an instant before his face and sailed fiercely away into the mist along the creek.

It was the raven. The incident recalled him to a sense of the situation, and again his eyes sought the upright coffin, now illuminated by the moon for half its length. He saw the gleam of the metallic plate and tried without moving to decipher the inscription. Then he fell to speculating upon what was behind it. His creative imagination presented him a vivid picture. The planks no longer seemed an obstacle to his vision and he saw the livid corpse of the dead woman, standing in grave-clothes, and staring vacantly at him, with lidless, shrunken eyes. The lower jaw was fallen, the upper lip drawn away from the uncovered teeth. He could make out a mottled pattern on the hollow cheeks–the maculations of decay. By some mysterious process his mind reverted for the first time that day to the photograph of Mary Matthews. He contrasted its blonde beauty with the forbidding aspect of this dead face–the most beloved object that he knew with the most hideous that he could conceive.

The Assassin now advanced and displaying the blade laid it against the victim’s throat. That is to say, the man became at first dimly, then definitely, aware of an impressive coincidence–a relation–a parallel between the face on the card and the name on the headboard. The one was disfigured, the other described a disfiguration. The thought took hold of him and shook him. It transformed the face that his imagination had created behind the coffin lid; the contrast became a resemblance; the resemblance grew to identity. Remembering the many descriptions of Scarry’s personal appearance that he had heard from the gossips of his camp-fire he tried with imperfect success to recall the exact nature of the disfiguration that had given the woman her ugly name; and what was lacking in his memory fancy supplied, stamping it with the validity of conviction. In the maddening attempt to recall such scraps of the woman’s history as he had heard, the muscles of his arms and hands were strained to a painful tension, as by an effort to lift a great weight. His body writhed and twisted with the exertion. The tendons of his neck stood out as tense as whip-cords, and his breath came in short, sharp gasps. The catastrophe could not be much longer delayed, or the agony of anticipation would leave nothing to be done by the coup de grace of verification. The scarred face behind the lid would slay him through the wood.