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A Drama on the Seashore
by
We saw, sitting on a vast granite boulder, a man who looked at us. His glance, like that of the flash of a cannon, came from two bloodshot eyes, and his stoical immobility could be compared only to the immutable granite masses that surrounded him. His eyes moved slowly, his body remaining rigid as though he were petrified. Then, having cast upon us that look which struck us like a blow, he turned his eyes once more to the limitless ocean, and gazed upon it, in spite of its dazzling light, as eagles gaze at the sun, without lowering his eyelids. Try to remember, dear uncle, one of those old oaks, whose knotty trunks, from which the branches have been lopped, rise with weird power in some lonely place, and you will have an image of this man. Here was a ruined Herculean frame, the face of an Olympian Jove, destroyed by age, by hard sea toil, by grief, by common food, and blackened as it were by lightning. Looking at his hard and hairy hands, I saw that the sinews stood out like cords of iron. Everything about him denoted strength of constitution. I noticed in a corner of the grotto a quantity of moss, and on a sort of ledge carved by nature on the granite, a loaf of bread, which covered the mouth of an earthenware jug. Never had my imagination, when it carried me to the deserts where early Christian anchorites spent their lives, depicted to my mind a form more grandly religious nor more horribly repentant than that of this man. You, who have a life-long experience of the confessional, dear uncle, you may never, perhaps, have seen so awful a remorse,–remorse sunk in the waves of prayer, the ceaseless supplication of a mute despair. This fisherman, this mariner, this hard, coarse Breton, was sublime through some hidden emotion. Had those eyes wept? That hand, moulded for an unwrought statue, had it struck? That ragged brow, where savage honor was imprinted, and on which strength had left vestiges of the gentleness which is an attribute of all true strength, that forehead furrowed with wrinkles, was it in harmony with the heart within? Why was this man in the granite? Why was the granite in the man? Which was the man, which was the granite? A world of fancies came into our minds. As our guide had prophesied, we passed in silence, rapidly; when he met us he saw our emotion of mingled terror and astonishment, but he made no boast of the truth of his prediction; he merely said,–
“You have seen him.”
“Who is that man?”
“They call him the Man of the Vow.”
You can imagine the movement with which our two heads turned at once to our guide. He was a simple-hearted fellow; he understood at once our mute inquiry, and here follows what he told us; I shall try to give it as best I can in his own language, retaining his popular parlance.
“Madame, folks from Croisic and those from Batz think this man is guilty of something, and is doing a penance ordered by a famous rector to whom he confessed his sin somewhere beyond Nantes. Others think that Cambremer, that’s his name, casts an evil fate on those who come within his air, and so they always look which way the wind is before they pass this rock. If it’s nor’-westerly they wouldn’t go by, no, not if their errand was to get a bit of the true cross; they’d go back, frightened. Others–they are the rich folks of Croisic–they say that Cambremer has made a vow, and that’s why people call him the Man of the Vow. He is there night and day, he never leaves the place. All these sayings have some truth in them. See there,” he continued, turning round to show us a thing we had not remarked, “look at that wooden cross he has set up there, to the left, to show that he has put himself under the protection of God and the holy Virgin and the saints. But the fear that people have of him keeps him as safe as if he were guarded by a troop of soldiers. He has never said one word since he locked himself up in the open air in this way; he lives on bread and water, which is brought to him every morning by his brother’s daughter, a little lass about twelve years old to whom he has left his property, a pretty creature, gentle as a lamb, a nice little girl, so pleasant. She has such blue eyes, long as THAT,” he added, marking a line on his thumb, “and hair like the cherubim. When you ask her: ‘Tell me, Perotte’ (That’s how we say Pierette in these parts,” he remarked, interrupting himself; “she is vowed to Saint Pierre; Cambremer is named Pierre, and he was her godfather)–‘Tell me, Perotte, what does your uncle say to you?’–‘He says nothing to me, nothing.’–‘Well, then, what does he do to you?’ ‘He kisses me on the forehead, Sundays.’–‘Are you afraid of him?’–‘Ah, no, no; isn’t he my godfather? he wouldn’t have anybody but me bring him his food.’ Perotte declares that he smiles when she comes; but you might as well say the sun shines in a fog; he’s as gloomy as a cloudy day.”