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A Dog of Flanders
by
It was rude, of course, in a way, and had many faults, no doubt; and yet it was real, true in nature, true in art, and very mournful, and in a manner beautiful.
Patrasche had lain quiet countless hours watching its gradual creation after the labor of each day was done, and he knew that Nello had a hope–vain and wild perhaps, but strongly cherished–of sending this great drawing to compete for a prize of two hundred francs a year which it was announced in Antwerp would be open to every lad of talent, scholar or peasant, under eighteen, who would attempt to win it with some unaided work of chalk or pencil. Three of the foremost artists in the town of Rubens were to be the judges and elect the victor according to his merits.
All the spring and summer and autumn Nello had been at work upon this treasure, which if triumphant, would build him his first step toward independence and the mysteries of the art which he blindly, ignorantly, and yet passionately adored.
He said nothing to any one; his grandfather would not have understood, and little Alois was lost to him. Only to Patrasche he told all, and whispered, “Rubens would give it me, I think, if he knew.”
Patrasche thought so too, for he knew that Rubens had loved dogs or he had never painted them with such exquisite fidelity; and men who loved dogs were, as Patrasche knew, always pitiful.
The drawings were to go in on the first day of December, and the decision be given on the twenty-fourth, so that he who should win might rejoice with all his people at the Christmas season.
In the twilight of a bitter wintry day, and with a beating heart, now quick with hope, now faint with fear, Nello placed the great picture on his little green milk-cart, and took it, with the help of Patrasche, into the town, and there left it, as enjoined, at the doors of a public building.
“Perhaps it is worth nothing at all. How can I tell?” he thought, with the heart-sickness of a great timidity. Now that he had left it there, it seemed to him so hazardous, so vain, so foolish, to dream that he, a little lad with bare feet who barely knew his letters, could do anything at which great painters, real artists, could ever deign to look. Yet he took heart as he went by the cathedral; the lordly form of Rubens seemed to rise from the fog and the darkness, and to loom in its magnificence before him, while the lips, with their kindly smile, seemed to him to murmur, “Nay, have courage! It was not by a weak heart and by faint fears that I wrote my name for all time upon Antwerp.”
Nello ran home through the cold night, comforted. He had done his best; the rest must be as God willed, he thought, in that innocent, unquestioning faith which had been taught him in the little gray chapel among the willows and the poplar-trees.
The winter was very sharp already. That night, after they reached the hut, snow fell, and fell for very many days after that; so that the paths and the divisions in the fields were all obliterated, and all the smaller streams were frozen over, and the cold was intense upon the plains. Then, indeed, it became hard work to go round for the milk while the world was all dark, and carry it through the darkness to the silent town. Hard work, especially for Patrasche, for the passage of the years that were only bringing Nello a stronger youth were bringing him old age, and his joints were stiff and his bones ached often. But he would never give up his share of the labour. Nello would fain have spared him and drawn the cart himself, but Patrasche would not allow it. All he would ever permit or accept was the help of a thrust from behind to the truck as it lumbered along through the ice-ruts. Patrasche had lived in harness, and he was proud of it. He suffered a great deal sometimes from frost and the terrible roads and the rheumatic pains of his limbs; but he only drew his breath hard and bent his stout neck, and trod onward with steady patience.