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"A Death in the Desert"
by [?]

Everett Hilgarde was conscious that the man in the seat across the aisle was looking at him intently. He was a large, florid man, wore a conspicuous diamond solitaire upon his third finger, and Everett judged him to be a traveling salesman of some sort. He had the air of an adaptable fellow who had been about the world and who could keep cool and clean under almost any circumstances.

The “High Line Flyer,” as this train was derisively called among railroad men, was jerking along through the hot afternoon over the monotonous country between Holdridge and Cheyenne. Besides the blond man and himself the only occupants of the car were two dusty, bedraggled-looking girls who had been to the Exposition at Chicago, and who were earnestly discussing the cost of their first trip out of Colorado. The four uncomfortable passengers were covered with a sediment of fine, yellow dust which clung to their hair and eyebrows like gold powder. It blew up in clouds from the bleak, lifeless country through which they passed, until they were one color with the sagebrush and sandhills. The gray-and-yellow desert was varied only by occasional ruins of deserted towns, and the little red boxes of station houses, where the spindling trees and sickly vines in the bluegrass yards made little green reserves fenced off in that confusing wilderness of sand.

As the slanting rays of the sun beat in stronger and stronger through the car windows, the blond gentleman asked the ladies’ permission to remove his coat, and sat in his lavender striped shirt sleeves, with a black silk handkerchief tucked carefully about his collar. He had seemed interested in Everett since they had boarded the train at Holdridge, and kept glancing at him curiously and then looking reflectively out of the window, as though he were trying to recall something. But wherever Everett went someone was almost sure to look at him with that curious interest, and it had ceased to embarrass or annoy him. Presently the stranger, seeming satisfied with his observation, leaned back in his seat, half-closed his eyes, and began softly to whistle the “Spring Song” from

Proserpine

, the cantata that a dozen years before had made its young composer famous in a night. Everett had heard that air on guitars in Old Mexico, on mandolins at college glees, on cottage organs in New England hamlets, and only two weeks ago he had heard it played on sleighbells at a variety theater in Denver. There was literally no way of escaping his brother’s precocity. Adriance could live on the other side of the Atlantic, where his youthful indiscretions were forgotten in his mature achievements, but his brother had never been able to outrun

Proserpine

, and here he found it again in the Colorado sand hills. Not that Everett was exactly ashamed of

Proserpine

; only a man of genius could have written it, but it was the sort of thing that a man of genius outgrows as soon as he can.

Everett unbent a trifle and smiled at his neighbor across the aisle. Immediately the large man rose and, coming over, dropped into the seat facing Hilgarde, extending his card.

“Dusty ride, isn’t it? I don’t mind it myself; I’m used to it. Born and bred in de briar patch, like Br’er Rabbit. I’ve been trying to place you for a long time; I think I must have met you before.”

“Thank you,” said Everett, taking the card; “my name is Hilgarde. You’ve probably met my brother, Adriance; people often mistake me for him.”

The traveling man brought his hand down upon his knee with such vehemence that the solitaire blazed.

“So I was right after all, and if you’re not Adriance Hilgarde, you’re his double. I thought I couldn’t be mistaken. Seen him? Well, I guess! I never missed one of his recitals at the Auditorium, and he played the piano score of

Proserpine

through to us once at the Chicago Press Club. I used to be on the

Commercial

there before I

146

began to travel for the publishing department of the concern. So you’re Hilgarde’s brother, and here I’ve run into you at the jumping-off place. Sounds like a newspaper yarn, doesn’t it?”