**** ROTATE **** **** ROTATE **** **** ROTATE **** **** ROTATE ****

Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

PAGE 2

A Couple Of Singers
by [?]

Alas! In vain he struggled, in vain did the paid applause greet him, the good graces of the public, henceforth bestowed on his wife, remained definitively acquired to her. She was fortunate too in a choice of parts appropriate to her talent and her beauty, in which she appeared with all the assurance of a woman of the world entering a ball-room, dressed in the colours best suited to her, and certain of an ovation. At each fresh success the husband was depressed, nervous, and irritable. This vogue which left him and so absolutely became hers only, seemed to him a kind of robbery. For a long while he strove to hide from every one, more especially from his wife, this unavowable anguish; but one evening, as she was going up the stairs leading to her dressing-room, holding up with both hands her skirt-laden with bouquets, carried away by her triumphal success, she said to him with a voice still overcome by the excitement of applause: “We have had a magnificent house to-night.” He replied: “You think so!” in such an ironical and bitter tone, that the young wife suddenly understood all.

Her husband was jealous! Not with the jealousy of a lover, who will only allow his wife to be beautiful for him, but with the jealousy of an artist, cold, furious, implacable. At times, when she stopped at the end of an air and multitudes of bravos were thrown to her from outstretched hands, he affected an indifferent and absent manner, and his listless gaze seemed to say to the spectators: “When you have finished applauding, I’ll sing.”

Ah! the applause, that sound like hail reechoing so delightfully through the lobbies, the house, and the side scenes, once the sweets of it are tasted, it is impossible to live without it. Great actors do not die of illness or old age, they cease to exist when applause no longer greets them. At the indifference of the public, this one was really seized with a feeling of despair. He grew thin, became peevish and bad-tempered. In vain did he reason with himself, look his incurable folly well in the face, repeat to himself before he came on the stage:

“And yet she is my wife, and I love her!”

In the artificial atmosphere of the stage the true sentiment of life vanished at once. He still loved the wife, but detested the singer. She realized it, and as one nurses an invalid, watched the sad mania. At first she thought of lessening her success, of making a sparing use and not giving the full power of her voice and talent; but her resolutions like those of her husband could not withstand the glare of the footlights. Her talent, almost unconsciously, overstepped her will. Then she humbled herself before him, belittled herself. She asked his advice, inquired if he thought her interpretation correct, if he understood the part in that way.

Of course he was never satisfied. With assumed goodnature, in the tone of false friendship that comedians use so much amongst each other, he would say, on the evenings of her greatest successes:

“You must watch yourself, dear, you are not doing very well just now, not improving.”

At other times he tried to prevent her singing:

“Take care, you are lavishing yourself. You are doing too much. Don’t wear out your luck. Believe me, you ought to take a holiday.”

He even condescended to the most paltry pretexts. Said she had a cold, was not in good voice. Or else he would try to pick some mean stage quarrel:

“You took up the end of the duet too quickly; you spoilt my effect. You did it on purpose.”

He never saw, poor wretch, that it was he who hindered her bye play, hurrying on with his cue in order to prevent any applause, and in his anxiety to regain the public ear, monopolizing the front of the stage, leaving his wife in the background. She never complained, for she loved him too well; moreover success makes us indulgent and every evening she was compelled to quit the shade in which she strove to conceal and efface herself, to obey the summons enthusiastically calling her to the footlights. This singular jealousy was soon noticed at the theatre, and their fellow actors made fun of it. They overwhelmed the singer with compliments about his wife’s singing. They thrust under his eyes the newspaper article in which after four long columns devoted to the star, the critic bestowed a few lines to the fast fading vogue of the husband. One day, having just read one of these articles, he rushed into his wife’s dressing-room, holding the open paper in his hand and said to her, pale with rage: