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How much business the crows seem to have apart from hunting their living! I hear their voices in the morning before sun-up, sounding out from different points of the fields and woods, as if every one of them were giving or receiving orders for the day: “Here, Jim, you do this; here, Corvus, you go there, and put that thing through”; and Jim caws back a response, and Corvus says, “I’m off this minute.” I get the impression that it is convention day or general training day with them. There are voices in all keys of masculinity and femininity. Here and there seems to be one in authority who calls at intervals, “Haw-ah, haw, haw-ah!” Others utter a strident “Haw!” still others a rapid, feminine call. Some seem hurrying, others seem at rest, but the landscape is apparently alive with crows carrying out some plan of concerted action. How fond they must be of one another! What boon companions they are! In constant communication, saluting one another from the trees, the ground, the air, watchful of one another’s safety, sharing their plunder, uniting against a common enemy, noisy, sportive, predacious, and open and aboveboard in all their ways and doings–how much character our ebony friend possesses, in how many ways he challenges our admiration!

What a contrast the crow presents to the silent, solitary hawk! The hawks have but two occupations–hunting and soaring; they have no social or tribal relations, and make no show of business as does the crow. The crow does not hide; he seems to crave the utmost publicity; his goings and comings are advertised with all the effectiveness of his strident voice; but all our hawks are silent and stealthy.

Let me return to the red squirrel, because he returns to me hourly. He is the most frisky, diverting, and altogether impish of all our wild creatures. He is a veritable Puck. All the other wild folk that cross my field of vision, or look in upon me here in my fragrant hay-barn study, seem to have but one feeling about me: “What is it? Is it dangerous? Has it any designs upon me?” But my appearance seems to awaken other feelings in the red squirrel. He pauses on the fence or on the rail before me, and goes through a series of antics and poses and hilarious gestures, giving out the while a stream of snickering, staccato sounds that suggest unmistakably that I am a source of mirth and ridicule to him. His gestures and attitudes are all those of mingled mirth, curiosity, defiance, and contempt–seldom those of fear. He comes spinning along on the stone wall in front of me, with those abrupt, nervous pauses every few yards that characterize all his movements. On seeing me he checks his speed, and with depressed tail impels himself along, a few inches at a time, in a series of spasmodic starts and sallies; the hind part of his body flattened, and his legs spread, his head erect and alert, his tail full of kinks and quirks. How that tail undulates! Now its end curls, now it is flattened to the stone, now it springs straight up as if part of a trap, hind feet the while keeping time in a sort of nervous dance with the shrill, strident cackling and snickering. The next moment he is sitting erect with fore paws pressed against his white chest, his tail rippling out behind him or up his back, and his shrill, nasal tones still pouring out. He hops to the next stone, he assumes a new position, his tail palpitates and jerks more lively than ever; now he is on all fours, with curved back; now he sits up at an angle, his tail all the time charged with mingled suspicion and mirth. Then he springs to a rail that runs out at right angles from the wall toward me, and with hectoring snickers and shrill trebles, pointed straight at me, keeps up his performance. What an actor he is! What a furry embodiment of quick, nervous energy and impertinence! Surely he has a sense of something like humor; surely he is teasing and mocking me and telling me, both by gesture and by word of mouth, that I present a very ridiculous appearance.