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Ph[oe]be and her mate hung about the barn disconsolate for days, and now, ten days later, she is hovering about my open door on the floor below, evidently prospecting for another building-site. I hope she will find me so quiet and my air so friendly that she will choose a niche on the hewn timber over my head. Just this moment I saw her snap up a flying “miller” in the orchard a few rods away. She was compelled to swoop four times before she intercepted that little moth in its unsteady, zigzagging flight. She is an expert at this sort of thing; it is her business to take her game on the wing; but the moths are experts in zigzag flying, and Ph[oe]be missed her mark three times. I heard the snap of her beak at each swoop. It is almost impossible for any insectivorous bird except a flycatcher to take a moth or a butterfly on the wing.

Last year in August the junco, or common snowbird, came into the big barn and built her nest in the side of the haymow, only a few feet from me. The clean, fragrant hay attracted her as it had attracted me. One would have thought that in a haymow she had nesting material near at hand. But no; her nest-building instincts had to take the old rut; she must bring her own material from without; the haymow was only the mossy bank or the wood-side turf where her species had hidden their nests for untold generations. She did not weave one spear of the farmer’s hay into her nest, but brought in the usual bits of dry grass and weeds and horsehair and shaped the fabric after the old pattern, tucking it well in under the drooping locks of hay. As I sat morning after morning weaving my thoughts together and looking out of the great barn doorway into sunlit fields, the junco wove her straws and horsehairs, and deposited there on three successive days her three exquisite eggs.

Why the bird departed so widely from the usual habits of nest-building of her species, who can tell? I had never before seen a junco’s nest except on the ground in remote fields, or in mossy banks by the side of mountain roads. This nest is the finest to be found upon the ground, its usual lining of horsehair makes its interior especially smooth and shapely, and the nest in the haymow showed only a little falling-off, as is usually the case in the second nest of the season. The songs of the birds, the construction of their nests, and the number of their eggs taper off as the season wanes.

The junco impresses me as a fidgety, emphatic, feather-edged sort of bird; the two white quills in its tail which flash out so suddenly on every movement seem to stamp in this impression. My junco was a little nervous at first and showed her white quills, but she soon grew used to my presence, and would alight upon the chair which I kept for callers, and upon my hammock-ropes.

When an artist came to paint my portrait amid such rustic surroundings, the bird only eyed her a little suspiciously at first, and then went forward with her own affairs. One night the wind blew the easel with its canvas over against the haymow where the nest was placed, but the bird was there on her eggs in the morning. Her wild instincts did not desert her in one respect, at least: when I would flush her from the nest she would drop down to the floor and with spread plumage and fluttering movements seek for a moment to decoy me away from the nest, after the habit of most ground-builders. The male came about the barn frequently with three or four other juncos, which I suspect were the first or June brood of the pair, now able to take care of themselves, but still held together by the family instinct, as often happens in the case of some other birds, such as bluebirds and chickadees.