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Elder Brown’s Backslide
by [?]

Elder Brown told his wife good-by at the farmhouse door as mechanically as though his proposed trip to Macon, ten miles away, was an everyday affair, while, as a matter of fact, many years had elapsed since unaccompanied he set foot in the city. He did not kiss her. Many very good men never kiss their wives. But small blame attaches to the elder for his omission on this occasion, since his wife had long ago discouraged all amorous demonstrations on the part of her liege lord, and at this particular moment was filling the parting moments with a rattling list of directions concerning thread, buttons, hooks, needles, and all the many etceteras of an industrious housewife’s basket. The elder was laboriously assorting these postscript commissions in his memory, well knowing that to return with any one of them neglected would cause trouble in the family circle.

Elder Brown mounted his patient steed that stood sleepily motionless in the warm sunlight, with his great pointed ears displayed to the right and left, as though their owner had grown tired of the life burden their weight inflicted upon him, and was, old soldier fashion, ready to forego the once rigid alertness of early training for the pleasures of frequent rest on arms.

“And, elder, don’t you forgit them caliker scraps, or you’ll be wantin’ kiver soon an’ no kiver will be a-comin’.”

Elder Brown did not turn his head, but merely let the whip hand, which had been checked in its backward motion, fall as he answered mechanically. The beast he bestrode responded with a rapid whisking of its tail and a great show of effort, as it ambled off down the sandy road, the rider’s long legs seeming now and then to touch the ground.

But as the zigzag panels of the rail fence crept behind him, and he felt the freedom of the morning beginning to act upon his well-trained blood, the mechanical manner of the old man’s mind gave place to a mild exuberance. A weight seemed to be lifting from it ounce by ounce as the fence panels, the weedy corners, the persimmon sprouts and sassafras bushes crept away behind him, so that by the time a mile lay between him and the life partner of his joys and sorrows he was in a reasonably contented frame of mind, and still improving.

It was a queer figure that crept along the road that cheery May morning. It was tall and gaunt, and had been for thirty years or more. The long head, bald on top, covered behind with iron-gray hair, and in front with a short tangled growth that curled and kinked in every direction, was surmounted by an old-fashioned stove-pipe hat, worn and stained, but eminently impressive. An old-fashioned Henry Clay cloth coat, stained and threadbare, divided itself impartially over the donkey’s back and dangled on his sides. This was all that remained of the elder’s wedding suit of forty years ago. Only constant care, and use of late years limited to extra occasions, had preserved it so long. The trousers had soon parted company with their friends. The substitutes were red jeans, which, while they did not well match his court costume, were better able to withstand the old man’s abuse, for if, in addition to his frequent religious excursions astride his beast, there ever was a man who was fond of sitting down with his feet higher than his head, it was this selfsame Elder Brown.

The morning expanded, and the old man expanded with it; for while a vigorous leader in his church, the elder at home was, it must be admitted, an uncomplaining slave. To the intense astonishment of the beast he rode, there came new vigor into the whacks which fell upon his flanks; and the beast allowed astonishment to surprise him into real life and decided motion. Somewhere in the elder’s expanding soul a tune had begun to ring. Possibly he took up the far, faint tune that came from the straggling gang of negroes away off in the field, as they slowly chopped amid the threadlike rows of cotton plants which lined the level ground, for the melody he hummed softly and then sang strongly, in the quavering, catchy tones of a good old country churchman, was “I’m glad salvation’s free.”