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PAGE 2

Wood Ashes And Progress
by [?]

“Modern conveniences would be all right,” he chuckled, looking from the merry fire to the ugly radiator, “if they were ever convenient!”

Then he swung Indian clubs for a quarter of an hour, jumped into a cold plunge, and went rosy to his breakfast and the day’s work, with the cheeriness of the fire in his heart.

But while he was gone there entered the chambermaid, and sad desecration was wrought. Chambermaids are another modern inconvenience. The Pilgrim Fathers got along without chambermaids; and even at a much later period chambermaids worked at least under the supervision of a mistress of the household. But nowadays they have their own way, even in abodes where there is one who could be a mistress if she would, or time from social duties and the improvement of her mind permitted. Of course, in the abode of a bachelor the chambermaid is supreme, for bachelors, at least in New York, have of necessity to live in apartments, not private boarding houses presided over by a careful mistress. Probably most of them prefer to; but that does not prove progress, none the less. But the Man Above the Square was not of this class. He had a sharp elbow bone, in the first place, which is to signify that he was a “good house-keeper,” as they say in New England. And in the second place, he knew the value to the aesthetic and moral sense of personality in living rooms, of an orderly, tasteful arrangement of inanimate objects, carpets, pictures, furniture, which, through weeks of comparative changelessness, takes on the human aspect of a friend and silently welcomes you when you return at night, saying comfortably, “I am here, as you left me; I am home.”

So when he entered his room again that evening and turned up the gas, his immediate utterance was not strictly the subject for reproduction. To begin with, the chambermaid had, in disobedience to his strict orders, taken up the centre rug and sent it up on the roof for the porter to beat. Being an expensive rug, the Man Above the Square did not particularly relish having it frequently beaten. But still less did he relish the way it had been replaced. It was not in the centre of the room, so that two legs of the library desk in the middle stood on the border and two on the diamond centre. One end was too near the piano, the other consequently too far from the hearth. And in trying to tug it into position the maid had managed to pull every edge out of plumb with the lines of the floor. Of course, the photographs on the piano had smooches on the margins, where the maid’s thumb had pressed as she held them up to dust beneath. Pudd’n-Head Wilson would alone have prized them in their present state. On the mantel each object was just far enough out of its proper place to throw the whole decorative scheme into a line of Puritanic primness. And the chairs, silent friends that are so companionable when an understanding hand places them in position, were now facing at stiff angles of armed neutrality, as if mutually suspicious. Not one of them said, “Sit in me.”

But the worst was yet to come. Walking over to the fireplace, the Man Above the Square looked in and groaned.

“She’s done it again!” he cried. “I’d move out of this flat to-night if I wasn’t sure that any other would be as bad, this side of the middle of last century.”

It was, indeed, a sorry piece of work. The splendid pile of gray and white wood ashes which that morning had been heaped high over the arms of the firedogs, and which drifted high into each corner and out upon the hearth, was no more. A little pile remained, carefully swept into the rear of the fireplace, but the bulk of the ashes had been removed and the arms of the firedogs stood inches above what was left.