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Vindication Of The Licensers Of The Stage
by
This, indeed, will not be easily effected; an union founded upon interest, and cemented by dependence, is naturally lasting; but confederacies which owe their rise to virtue, or mere conformity of sentiments, are quickly dissolved, since no individual has any thing either to hope or fear for himself, and publick spirit is generally too weak to combat with private passions.
The poet has, however, attempted to weaken our combination by an artful and sly assertion, which, if suffered to remain unconfuted, may operate, by degrees, upon our minds, in the days of leisure and retirement, which are now approaching, and, perhaps, fill us with such surmises as may at least very much embarrass our affairs.
The law by which the Swedes justified their opposition to the encroachments of the king of Denmark, he not only calls
Great Nature’s law, the law within the breast,
but proceeds to tell us, that it is
–stamp’d by heaven upon th’ unletter’d mind.
By which he evidently intends to insinuate a maxim, which is, I hope, as false as it is pernicious, that men are naturally fond of liberty till those unborn ideas and desires are effaced by literature.
The author, if he be not a man mewed up in his solitary study, and entirely unacquainted with the conduct of the present ministry, must know that we have hitherto acted upon different principles. We have always regarded letters as great obstructions to our scheme of subordination, and have, therefore, when we have heard of any man remarkably unlettered, carefully noted him down, as the most proper person for any employments of trust or honour, and considered him as a man, in whom we could safely repose our most important secrets.
From among the uneducated and unlettered, we have chosen not only our ambassadors and other negotiators, but even our journalists and pamphleteers; nor have we had any reason to change our measures, or to repent of the confidence which we have placed in ignorance.
Are we now, therefore, to be told, that this law is
–stamp’d upon th’ unletter’d mind?
Are we to suspect our placemen, our pensioners, our generals, our lawyers, our best friends in both houses, all our adherents among the atheists and infidels, and our very gazetteers, clerks, and court-pages, as friends to independency? Doubtless this is the tendency of his assertion, but we have known them too long to be thus imposed upon: the unlettered have been our warmest and most constant defenders; nor have we omitted any thing to deserve their favour, but have always endeavoured to raise their reputation, extend their influence, and increase their number.
In his first act he abounds with sentiments very inconsistent with the ends for which the power of licensing was granted; to enumerate them all would be to transcribe a great part of his play, a task which I shall very willingly leave to others, who, though true friends to the government, are not inflamed with zeal so fiery and impatient as mine, and, therefore, do not feel the same emotions of rage and resentment at the sight of those infamous passages, in which venality and dependence are represented, as mean in themselves, and productive of remorse and infelicity.
One line, which ought, in my opinion, to be erased from every copy, by a special act of parliament, is mentioned by Anderson, as pronounced by the hero in his sleep,
O Sweden! O my country! yet I’ll save thee.
This line I have reason to believe thrown out as a kind of a watchword for the opposing faction, who, when they meet in their seditious assemblies, have been observed to lay their hands upon their breasts, and cry out, with great vehemence of accent,
O B—-[3]! O my country! yet I’ll save thee.
In the second scene he endeavours to fix epithets of contempt upon those passions and desires, which have been always found most useful to the ministry, and most opposite to the spirit of independency.
Base fear, the laziness of lust, gross appetites,
These are the ladders, and the grov’ling footstool
From whence the tyrant rises–
Secure and scepter’d in the soul’s servility,
He has debauched the genius of our country,
And rides triumphant, while her captive sons
Await his nod, the silken slaves of pleasure,
Or fetter’d in their fears.–