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"The Visit": A painting by George Morland
by
At this moment, as at all others, Mr. Thompson has his inevitable eye on his children, and they know that it is on them. He is well enough pleased with them at this moment. But alas! we feel that ere the sun sets they will have incurred his wrath. Presently Lady Noble will have finished her genial inspection, and have sailed back, under convoy of the mother and the grown-up daughter, to the parlour, there to partake of that special dish of tea which is even now being brewed for her. When the children are left alone, their pent excitement will overflow and wash them into disgrace. Belike, they will quarrel over the nectarines. There will be bitter words, and a pinch, and a scratch, and a blow, screams, a scrimmage. The rout will be heard afar in the parlour. The grown-up sister will hasten back and be beheld suddenly, a quelling figure, on the threshold: `For shame, Clara! Mary, I wonder at you! Henry, how dare you, sir? Silence, Ethel! Papa shall hear of this.’ Flushed and rumpled, the guilty four will hang their heads, cowed by authority and by it perversely reconciled one with another. Authority will bid them go upstairs `this instant,’ there to shed their finery and resume the drab garb of every day. From the bedroom- windows they will see Lady Noble step into her yellow chariot and drive away. Envy–an inarticulate, impotent envy–will possess their hearts: why cannot they be rich, and grown-up, and bowed to by every one? When the chariot is out of sight, envy will be superseded by the play-instinct. Silently, in their hearts, the children will play at being Lady Noble…. Mamma’s voice will be heard on the stairs, rasping them back to the realities. Sullenly they will go down to the schoolroom, and resume their tasks. But they will not be able to concentrate their unsettled minds. The girls will make false stitches in the pillow-slips which they had been hemming so neatly when the yellow chariot drove up to the front-door; and Master Harry will be merely dazed by that page of the Delectus which he had almost got by heart. Their discontent will be inspissated by the knowledge that they are now worse-off than ever–are in dire disgrace, and that even now the grown-up sister is `telling Papa’ (who knows already, and has but awaited the formal complaint). Presently the grown-up sister will come into the schoolroom, looking very grave: `Children, Papa has something to say to you.’ In the Study, to which, quaking, they will proceed, an endless sermon awaits them. The sin of Covetousness will be expatiated on, and the sins of Discord and Hatred, and the eternal torment in store for every child who is guilty of them. All four culprits will be in tears soon after the exordium. Before the peroration (a graphic description of the Lake of Fire) they will have become hysterical. They will be sent supperless to bed. On the morrow they will have to learn and repeat the chapter about Cain and Abel. A week, at least, will have elapsed before they are out of disgrace. Such are the inevitable consequences of joy in a joyless life. It were well for these children had `The Visit’ never been paid.
Morland, I suppose, discerned naught of all this tragedy in his picture. To him, probably, the thing was an untainted idyll, was but one of those placid homely scenes which he loved as dearly as could none but the brawler and vagabond that he was. And yet… and yet… perhaps he did intend something of what we discern here. He may have been thinking, bitterly, of his own childhood, and of the home he ran away from.