FullReads

4.

Immediately, in trance, I was carried over land and sea to some distant kingdom, and placed upon a triumphal car, amongst companions crowned with laurel. The darkness of gathering midnight, brooding over all the land, hid from us the mighty crowds that were weaving restlessly about our carriage as a centre–we heard them, but we saw them not. Tidings had arrived, within an hour, of a grandeur that measured itself against centuries; too full of pathos they were, too full of joy that acknowledged no fountain but God, to utter themselves by other language than by tears, by restles anthems, by reverberations rising from every choir, of the Gloria in excelsis. These tidings we that sate upon the laurelled car had it for our privilege to publish amongst all nations. And already, by signs audible through the darkness, by snortings and tramplings, our angry horses, that knew no fear of fleshly weariness, upbraided us with delay. Wherefore was it that we delayed? We waited for a secret word, that should bear witness to the hope of nations, as now accomplished for ever. At midnight the secret word arrived; which word was–Waterloo and Recovered Christendom! The dreadful word shone by its own light; before us it went; high above our leaders’ heads it rode, and spread a golden light over the paths which we traversed. Every city, at the presence of the secret word, threw open its gates to receive us. The rivers were silent as we crossed. All the infinite forests, as we ran along their margins, shivered in homage to the secret word. And the darkness comprehended it.

Two hours after midnight we reached a mighty minster. Its gates, which rose to the clouds, were closed. But when the dreadful word, that rode before us, reached them with its golden light, silently they moved back upon their hinges; and at a flying gallop our equipage entered the grand aisle of the cathedral. Headlong was our pace; and at every altar, in the little chapels and oratories to the right hand and left of our course, the lamps, dying or sickening, kindled anew in sympathy with the secret word that was flying past. Forty leagues we might have run in the cathedral, and as yet no strength of morning light had reached us, when we saw before us the aerial galleries of the organ and the choir. Every pinnacle of the fretwork, every station of advantage amongst the traceries, was crested by white-robed choristers, that sang deliverance; that wept no more tears, as once their fathers had wept; but at intervals that sang together to the generations, saying–

“Chaunt the deliverer’s praise in every tongue,”

and receiving answers from afar,

–“such as once in heaven and earth were sung.”

And of their chaunting was no end; of our headlong pace was neither pause nor remission.

Thus, as we ran like torrents–thus, as we swept with bridal rapture over the Campo Santo[1] of the cathedral graves–suddenly we became aware of a vast necropolis rising upon the far-off horizon–a city of sepulchres, built within the saintly cathedral for the warrior dead that rested from their feuds on earth. Of purple granite was the necropolis; yet, in the first minute, it lay like a purple stain upon the horizon–so mighty was the distance. In the second minute it trembled through many changes, growing into terraces and towers of wondrous altitude, so mighty was the pace. In the third minute already, with our dreadful gallop, we were entering its suburbs. Vast sarcophagi rose on every side, having towers and turrets that, upon the limits of the central aisle, strode forward with haughty intrusion, that ran back with mighty shadows into answering recesses. Every sarcophagus showed many bas-reliefs–bas-reliefs of battles–bas-reliefs of battle-fields; of battles from forgotten ages–of battles from yesterday–of battle-fields that, long since, nature had healed and reconciled to herself with the sweet oblivion of flowers–of battle-fields that were yet angry and crimson with carnage. Where the terraces ran, there did we run; where the towers curved, there did we curve. With the flight of swallows our horses swept round every angle. Like rivers in flood, wheeling round headlands; like hurricanes that side into the secrets of forests; faster than ever light unwove the mazes of darkness, our flying equipage carried earthly passions–kindled warrior instincts–amongst the dust that lay around us; dust oftentimes of our noble fathers that had slept in God from Creci to Trafalgar. And now had we reached the last sarcophagus, now were we abreast of the last bas-relief, already had we recovered the arrow-like flight of the illimitable central aisle, when coming up this aisle to meet us we beheld a female infant that rode in a carriage as frail as flowers. The mists, which went before her, hid the fawns that drew her, but could not hide the shells and tropic flowers with which she played–but could not hide the lovely smiles by which she uttered her trust in the mighty cathedral, and in the cherubim that looked down upon her from the topmast shafts of its pillars. Face to face she was meeting us; face to face she rode, as if danger there were none. “Oh, baby!” I exclaimed, “shalt thou be the ransom for Waterloo? Must we, that carry tidings of great joy to every people, be messengers of ruin to thee?” In horror I rose at the thought; but then also, in horror at the thought, rose one that was sculptured on the bas-relief–a dying trumpeter. Solemnly from the field of battle he rose to his feet; and, unslinging his stony trumpet, carried it, in his dying anguish, to his stony lips–sounding once, and yet once again; proclamation that, in thy ears, oh baby! must have spoken from the battlements of death. Immediately deep shadows fell between us, and aboriginal silence. The choir had ceased to sing. The hoofs of our horses, the rattling of our harness, alarmed the graves no more. By horror the bas-relief had been unlocked into life. By horror we, that were so full of life, we men and our horses, with their fiery fore-legs rising in mid air to their everlasting gallop, were frozen to a bas-relief. Then a third time the trumpet sounded; the seals were taken off all pulses; life, and the frenzy of life, tore into their channels again; again the choir burst forth in sunny grandeur, as from the muffling of storms and darkness; again the thunderings of our horses carried temptation into the graves. One cry burst from our lips as the clouds, drawing off from the aisle, showed it empty before us–“Whither has the infant fled?–is the young child caught up to God?” Lo! afar off, in a vast recess, rose three mighty windows to the clouds: and on a level with their summits, at height insuperable to man, rose an altar of purest alabaster. On its eastern face was trembling a crimson glory. Whence came that? Was it from the reddening dawn that now streamed through the windows? Was it from the crimson robes of the martyrs that were painted on the windows? Was it from the bloody bas-reliefs of earth? Whencesoever it were–there, within that crimson radiance, suddenly appeared a female head, and then a female figure. It was the child–now grown up to woman’s height. Clinging to the horns of the altar, there she stood–sinking, rising, trembling, fainting–raving, despairing; and behind the volume of incense that, night and day, streamed upwards from the altar, was seen the fiery font, and dimly was descried the outline of the dreadful being that should baptize her with the baptism of death. But by her side was kneeling her better angel, that hid his face with wings; that wept and pleaded for her; that prayed when she could not; that fought with heaven by tears for her deliverance; which also, as he raised his immortal countenance from his wings, I saw, by the glory in his eye, that he had won at last.