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The riddle proposed by the Sphinx ran in these terms: “What creature is that which moves on four feet in the morning, on two feet at noonday, and on three towards the going down of the sun?” oedipus, after some consideration, answered that the creature was MAN, who creeps on the ground with hands and feet when an infant, walks upright in the vigor of manhood, and leans upon a staff in old age. Immediately the dreadful Sphinx confessed the truth of his solution by throwing herself headlong from a point of rock into the sea; her power being overthrown as soon as her secret had been detected. Thus was the Sphinx destroyed; and, according to the promise of the proclamation, for this great service to the state oedipus was immediately recompensed. He was saluted King of Thebes, and married to the royal widow Jocasta. In this way it happened, but without suspicion either in himself or others, pointing to the truth, that oedipus had slain his father, had ascended his father’s throne, and had married his own mother.

Through a course of years all these dreadful events lay hushed in darkness; but at length a pestilence arose, and an embassy was despatched to Delphi, in order to ascertain the cause of the heavenly wrath, and the proper means of propitiating that wrath. The embassy returned to Thebes armed with a knowledge of the fatal secrets connected with oedipus, but under some restraints of prudence in making a publication of what so dreadfully affected the most powerful personage in the state. Perhaps, in the whole history of human art as applied to the evolution of a poetic fable, there is nothing more exquisite than the management of this crisis by Sophocles. A natural discovery, first of all, connects oedipus with the death of Laius. That discovery comes upon him with some surprise, but with no shock of fear or remorse. That he had killed a man of rank in a sudden quarrel, he had always known; that this man was now discovered to be Laius, added nothing to the reasons for regret. The affair remained as it was. It was simply a case of personal strife on the high road, and one which had really grown out of aristocratic violence in the adverse party. oedipus had asserted his own rights and dignity only as all brave men would have done in an age that knew nothing of civic police.

It was true that this first discovery–the identification of himself as the slayer of Laius–drew after it two others, namely, that it was the throne of his victim on which he had seated himself, and that it was his widow whom he had married. But these were no offences; and, on the contrary, they were distinctions won at great risk to himself, and by a great service to the country. Suddenly, however, the reappearance and disclosures of the shepherd who had saved his life during infancy in one moment threw a dazzling but funereal light upon the previous discoveries that else had seemed so trivial. In an instant everything was read in another sense. The death of Laius, the marriage with his widow, the appropriation of his throne, all towered into colossal crimes, illimitable, and opening no avenues to atonement. oedipus, in the agonies of his horror, inflicts blindness upon himself; Jocasta commits suicide; the two sons fall into fiery feuds for the assertion of their separate claims on the throne, but previously unite for the expulsion of oedipus, as one who had become a curse to Thebes. And thus the poor, heart-shattered king would have been turned out upon the public roads, aged, blind, and a helpless vagrant, but for the sublime piety of his two daughters, but especially of Antigone, the elder. They share with their unhappy father the hardships and perils of the road, and do not leave him until the moment of his mysterious summons to some ineffable death in the woods of Colonus. The expulsion of Polynices, the younger son, from Thebes; his return with a confederate band of princes for the recovery of his rights; the death of the two brothers in single combat; the public prohibition of funeral rights to Polynices, as one who had levied war against his native land; and the final reappearance of Antigone, who defies the law, and secures a grave to her brother at the certain price of a grave to herself– these are the sequels and arrears of the family overthrow accomplished through the dark destiny of oedipus.