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PAGE 9

The Plan Of An English Dictionary
by [?]

–In heaps
Chariot and charioteer lay overturn’d,
And fiery foaming steeds. What stood, recoil’d
O’erwearied, through the faint Satanic host,
Defensive scarce, or with pale fear surpris’d,
Fled ignominious.–

“Here,” says the critick, “as the sentence is now read, we find that what stood, fled:” and, therefore, he proposes an alteration, which he might have spared, if he had consulted a dictionary, and found that nothing more was affirmed than, that those fled who did not fall.

In explaining such meanings as seem accidental and adventitious, I shall endeavour to give an account of the means by which they were introduced. Thus, to eke out any thing, signifies to lengthen it beyond its just dimensions, by some low artifice; because the word eke was the usual refuge of our old writers, when they wanted a syllable. And buxom, which means only obedient, is now made, in familiar phrases, to stand for wanton; because in an ancient form of marriage, before the Reformation, the bride promised complaisance and obedience, in these terms: “I will be bonair and buxom in bed and at board.”

I know well, my Lord, how trifling many of these remarks will appear, separately considered, and how easily they may give occasion to the contemptuous merriment of sportive idleness, and the gloomy censures of arrogant stupidity; but dulness it is easy to despise, and laughter it is easy to repay. I shall not be solicitous what is thought of my work, by such as know not the difficulty or importance of philological studies; nor shall think those that have done nothing, qualified to condemn me for doing little. It may not, however, be improper to remind them, that no terrestrial greatness is more than an aggregate of little things; and to inculcate, after the Arabian proverb, that drops added to drops constitute the ocean.

There remains yet to be considered the distribution of words into their proper classes, or that part of lexicography which is strictly critical.

The popular part of the language, which includes all words not appropriated to particular sciences, admits of many distinctions and subdivisions; as, into words of general use; words employed chiefly in poetry; words obsolete; words which are admitted only by particular writers, yet not in themselves improper; words used only in burlesque writing; and words impure and barbarous.

Words of general use will be known by having no sign of particularity, and their various senses will be supported by authorities of all ages.

The words appropriated to poetry will be distinguished by some mark prefixed, or will be known by having no authorities but those of poets.

Of antiquated or obsolete words, none will be inserted, but such as are to be found in authors, who wrote since the accession of Elizabeth, from which we date the golden age of our language; and of these many might be omitted, but that the reader may require, with an appearance of reason, that no difficulty should be left unresolved in books which he finds himself invited to read, as confessed and established models of style. These will be likewise pointed out by some note of exclusion, but not of disgrace.

The words which are found only in particular books, will be known by the single name of him that has used them; but such will be omitted, unless either their propriety, elegance or force, or the reputation of their authors, affords some extraordinary reason for their reception.

Words used in burlesque and familiar compositions, will be likewise mentioned with their proper authorities; such as dudgeon, from Butler, and leasing, from Prior; and will be diligently characterised by marks of distinction. Barbarous, or impure, words and expressions, may be branded with some note of infamy, as they are carefully to be eradicated wherever they are found; and they occur too frequently, even in the best writers: as in Pope,

in endless error hurl’d.
Tis these that early taint the female soul.