**** ROTATE **** **** ROTATE **** **** ROTATE **** **** ROTATE ****

Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

PAGE 2

The Place Of Affectional Facts In A World Of Pure Experience
by [?]

It is possible to imagine a universe of experiences in which the only alternative between neighbors would be either physical interaction or complete inertness. In such a world the mental or the physical status of any piece of experience would be unequivocal. When active, it would figure in the physical, and when inactive, in the mental group.

But the universe we live in is more chaotic than this, and there is room in it for the hybrid or ambiguous group of our affectional experiences, of our emotions and appreciative perceptions. In the paragraphs that follow I shall try to show:

(1) That the popular notion that these experiences are intuitively given as purely inner facts is hasty and erroneous; and

(2) That their ambiguity illustrates beautifully my central thesis that subjectivity and objectivity are affairs not of what an experience is aboriginally made of, but of its classification. Classifications depend on our temporary purposes. For certain purposes it is convenient to take things in one set of relations, for other purposes in another set. In the two cases their contexts are apt to be different. In the case of our affectional experiences we have no permanent and steadfast purpose that obliges us to be consistent, so we find it easy to let them float ambiguously, sometimes classing them with our feelings, sometimes with more physical realities, according to caprice or to the convenience of the moment. Thus would these experiences, so far from being an obstacle to the pure experience philosophy, serve as an excellent corroboration of its truth.

First of all, then, it is a mistake to say, with the objectors whom I began by citing, that anger, love and fear are affections purely of the mind. That, to a great extent at any rate, they are simultaneously affections of the body is proved by the whole literature of the James-Lange theory of emotion.[77] All our pains, moreover, are local, and we are always free to speak of them in objective as well as in subjective terms. We can say that we are aware of a painful place, filling a certain bigness in our organism, or we can say that we are inwardly in a ‘state’ of pain. All our adjectives of worth are similarly ambiguous–I instanced some of the ambiguities [in the first essay].[78] Is the preciousness of a diamond a quality of the gem? or is it a feeling in our mind? Practically we treat it as both or as either, according to the temporary direction of our thought. ‘Beauty,’ says Professor Santayana, ‘is pleasure objectified’; and in Sections 10 and 11 of his work, The Sense of Beauty, he treats in a masterly way of this equivocal realm. The various pleasures we receive from an object may count as ‘feelings’ when we take them singly, but when they combine in a total richness, we call the result the ‘beauty’ of the object, and treat it as an outer attribute which our mind perceives. We discover beauty just as we discover the physical properties of things. Training is needed to make us expert in either line. Single sensations also may be ambiguous. Shall we say an ‘agreeable degree of heat,’ or an ‘agreeable feeling’ occasioned by the degree of heat? Either will do; and language would lose most of its esthetic and rhetorical value were we forbidden to project words primarily connoting our affections upon the objects by which the affections are aroused. The man is really hateful; the action really mean; the situation really tragic–all in themselves and quite apart from our opinion. We even go so far as to talk of a weary road, a giddy height, a jocund morning or a sullen sky; and the term ‘indefinite’ while usually applied only to our apprehensions, functions as a fundamental physical qualification of things in Spencer’s ‘law of evolution,’ and doubtless passes with most readers for all right.