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The Odium Philologicum
by
Nor does the odium scientificum, of which we have now happily but occasional manifestations, furnish us with any suggestions. Controversy between scientific men begins to be bitter and frequent, as the field of investigation grows wider and the investigation itself grows deeper. But then this is easily accounted for. All scientific men of the first rank are engaged in original research–that is, in attempts to discover laws and phenomena previously unknown. The workers in all departments are very numerous, and are scattered over various countries, and as one discovery, however slight, is very apt to help in some degree in the making of another, scientific men are constantly exposed to having their claims to originality contested, either as regards priority in point of time or as regards completeness. Consequently, they may be said to stand in delicate relations to each other, and are more than usually sensitive about the recognition of their achievements by their brethren–a state of things which, while it cultivates a very nice sense of honor, leads occasionally to encounters in which free-will seems for the moment to get the better of law. The differences of the scientific world, too, are complicated by the theological bearing of a good deal of scientific discovery and discussion, and many a scientific man finds himself either compelled to defend himself against theologians, or to aid theologians in bringing an erring brother to reason.
The true source of the odium philologicum is, we think, to be found in the fact that a man’s speech is apt to be, or to be considered, an indication of the manner in which he has been bred, and of the character of the company he keeps. Criticism of his mode of using words, or his pronunciation, or the manner in which he compounds his sentences, almost inevitably takes the character of an attack on his birth, parentage, education, and social position; or, in other words, on everything which he feels most sensitive about or holds most dear. If you say that his pronunciation is bad, or that his language is slangy or ill-chosen, you insinuate that when he lived at home with his papa and mamma he was surrounded by bad models, or, in plain English, that his parents were vulgar or ignorant people; when you say that he writes bad grammar, or is guilty of glaring solecisms, or displays want of etymological knowledge, you insinuate that his education was neglected, or that he has not associated with correct speakers. Usually, too, you do all this in the most provoking way by selecting passages from his writings on which he probably prided himself, and separating them totally from the thought of which he was full when he produced them, and then examining them mechanically, as if they were algebraic signs, which he used without knowing what they meant or where they would bring him out. Nobody stands this process very long with equanimity, because nobody can be subjected to it without being presented to the public somewhat in the light of an ignorant, careless, and pretentious donkey. Nor will it do to cite your examples from deceased authors. You cannot do so without assailing some form of expression which an eager, listening enemy is himself in the habit of using, and is waiting for you to take up, and through which he hopes to bring you to shame.
No man, moreover, can perform the process without taking on airs which rouse his victim to madness, because he assumes a position not only of grammatical, but, as we have said, of social superiority. He says plainly enough, no matter how polite or scientific he may try to seem, “I was better born and bred than you, and acquired these correct turns of expression, of which you know nothing, from cultivated relatives;” or, “I live in cultivated circles, and am consequently familiar with the best usage, which you, poor fellow! are not. I am therefore able to decide this matter without argument or citations, and your best course is to take my corrections in silence or with thankfulness.” It is easy to understand how all interest in orthography, etymology, syntax, and prosody speedily disappears in a controversy of this sort, and how the disputants begin to burn with mutual dislike, and how each longs to inflict pain and anguish on his opponent, and make him, no matter by what means, an object of popular pity and contempt, and make his parts of speech odious and ridiculous. The influence of all good men ought to be directed either to repressing verbal criticism, or restricting indulgence in it to the family circle or to schools and colleges.