FullReads

This was the beginning of the long struggle between the cliff-dwellers and the townspeople; each new property-owner, disgusted at the idea that all the world can stroll at will across his well-kept lawns, has in turn tried his hand at suppressing the now famous “walk.” Not only do the public claim the liberty to walk there, but also the right to cross any property to get to the shore. At this moment the city fathers and the committee of the new buildings at Bailey’s Beach are wrangling as gayly as in Governor Lawrence’s day over a bit of wall lately constructed across the end of Bellevue Avenue. A new expedient has been hit upon by some of the would-be exclusive owners of the cliffs; they have lowered the “walk” out of sight, thus insuring their own privacy and in no way interfering with the rights of the public.

Among the gentlemen who settled in Newport about Governor Lawrence’s time was Lord Baltimore (Mr. Calvert, he preferred to call himself), who remained there until his death. He was shy of referring to his English peerage, but would willingly talk of his descent through his mother from Peter Paul Rubens, from whom had come down to him a chateau in Holland and several splendid paintings. The latter hung in the parlor of the modest little dwelling, where I was taken to see them and their owner many years ago. My introducer on this occasion was herself a lady of no ordinary birth, being the daughter of Stuart, our greatest portrait painter. I have passed many quiet hours in the quaint studio (the same her father had used), hearing her prattle–as she loved to do if she found a sympathetic listener–of her father, of Washington and his pompous ways, and the many celebrities who had in turn posed before Stuart’s easel. She had been her father’s companion and aid, present at the sittings, preparing his brushes and colors, and painting in backgrounds and accessories; and would willingly show his palette and explain his methods and theories of color, his predilection for scrumbling shadows thinly in black and then painting boldly in with body color. Her lessons had not profited much to the gentle, kindly old lady, for the productions of her own brush were far from resembling her great parent’s work. She, however, painted cheerfully on to life’s close, surrounded by her many friends, foremost among whom was Charlotte Cushman, who also passed the last years of her life in Newport. Miss Stuart was over eighty when I last saw her, still full of spirit and vigor, beginning the portrait of a famous beauty of that day, since the wife and mother of dukes.

Miss Stuart’s death seems to close one of the chapters in the history of this city, and to break the last connecting link with its past. The world moves so quickly that the simple days and modest amusements of our fathers and grandfathers have already receded into misty remoteness. We look at their portraits and wonder vaguely at their graceless costumes. We know they trod these same streets, and laughed and flirted and married as we are doing to-day, but they seem to us strangely far away, like inhabitants of another sphere!

It is humiliating to think how soon we, too, shall have become the ancestors of a new and careless generation; fresh faces will replace our faded ones, young voices will laugh as they look at our portraits hanging in dark corners, wondering who we were, and (criticising the apparel we think so artistic and appropriate) how we could ever have made such guys of ourselves.