The Lawyer
by
He is very old, and very long, and very thin. He has white hair. He dresses in the costume of the last generation but seven. He has bushy eyebrows and is clean shaven. His chin itches considerably, so that he has to be always scratching it. His favorite remark is “Ah!”
In real life we have heard of young solicitors, of foppish solicitors, of short solicitors; but on the stage they are always very thin and very old. The youngest stage solicitor we ever remember to have seen looked about sixty–the oldest about a hundred and forty-five.
By the bye, it is never very safe to judge people’s ages on the stage by their personal appearance. We have known old ladies who looked seventy, if they were a day, turn out to be the mothers of boys of fourteen, while the middle-aged husband of the young wife generally gives one the idea of ninety.
Again, what appears at first sight to be a comfortable-looking and eminently respectable elderly lady is often discovered to be, in reality, a giddy, girlish, and inexperienced young thing, the pride of the village or the darling of the regiment.
So, too, an exceptionally stout and short-winded old gentleman, who looks as if he had been living too well and taking too little exercise for the last forty-five years, is not the heavy father, as you might imagine if you judged from mere external evidence, but a wild, reckless boy.
You would not think so to look at him, but his only faults are that he is so young and light-headed. There is good in him, however, and he will no doubt be steady enough when he grows up. All the young men of the neighborhood worship him and the girls love him.
“Here he comes,” they say; “dear, dear old Jack–Jack, the darling boy–the headstrong youth–Jack, the leader of our juvenile sports–Jack, whose childish innocence wins all hearts. Three cheers for dancing, bright-eyed Jack!”
On the other hand, ladies with the complexion of eighteen are, you learn as the story progresses, quite elderly women, the mothers of middle-aged heroes.
The experienced observer of stage-land never jumps to conclusions from what he sees. He waits till he is told things.
The stage lawyer never has any office of his own. He transacts all his business at his clients’ houses. He will travel hundreds of miles to tell them the most trivial piece of legal information.
It never occurs to him how much simpler it would be to write a letter. The item for “traveling expenses” in his bill of costs must be something enormous.
There are two moments in the course of his client’s career that the stage lawyer particularly enjoys. The first is when the client comes unexpectedly into a fortune; the second when he unexpectedly loses it.
In the former case, upon learning the good news the stage lawyer at once leaves his business and hurries off to the other end of the kingdom to bear the glad tidings. He arrives at the humble domicile of the beneficiary in question, sends up his card, and is ushered into the front parlor. He enters mysteriously and sits left–client sits right. An ordinary, common lawyer would come to the point at once, state the matter in a plain, business-like way, and trust that he might have the pleasure of representing, etc., etc.; but such simple methods are not those of the stage lawyer. He looks at the client and says:
“You had a father.”
The client starts. How on earth did this calm, thin, keen-eyed old man in black know that he had a father? He shuffles and stammers, but the quiet, impenetrable lawyer fixes his cold, glassy eye on him, and he is helpless. Subterfuge, he feels, is useless, and amazed, bewildered at the knowledge of his most private affairs possessed by his strange visitant, he admits the fact: he had a father.