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One of the Biminis that have always been looked for is an American Literature. There was an impression that there must be such a thing somewhere on a continent that has everything else. We gave the world tobacco and the potato, perhaps the most important contributions to the content and the fatness of the world made by any new country, and it was a noble ambition to give it new styles of art and literature also. There seems to have been an impression that a literature was something indigenous or ready-made, like any other purely native product, not needing any special period of cultivation or development, and that a nation would be in a mortifying position without one, even before it staked out its cities or built any roads. Captain John Smith, if he had ever settled here and spread himself over the continent, as he was capable of doing, might have taken the contract to furnish one, and we may be sure that he would have left us nothing to desire in that direction. But the vein of romance he opened was not followed up. Other prospectings were made. Holes, so to speak, were dug in New England, and in the middle South, and along the frontier, and such leads were found that again and again the certainty arose that at last the real American ore had been discovered. Meantime a certain process called civilization went on, and certain ideas of breadth entered into our conceptions, and ideas also of the historical development of the expression of thought in the world, and with these a comprehension of what American really is, and the difficulty of putting the contents of a bushel measure into a pint cup. So, while we have been expecting the American Literature to come out from some locality, neat and clean, like a nugget, or, to change the figure, to bloom any day like a century-plant, in one striking, fragrant expression of American life, behold something else has been preparing and maturing, larger and more promising than our early anticipations. In history, in biography, in science, in the essay, in the novel and story, there are coming forth a hundred expressions of the hundred aspects of American life; and they are also sung by the poets in notes as varied as the migrating birds. The birds perhaps have the best of it thus far, but the bird is limited to a small range of performances while he shifts his singing-boughs through the climates of the continent, whereas the poet, though a little inclined to mistake aspiration for inspiration, and vagueness of longing for subtlety, is experimenting in a most hopeful manner. And all these writers, while perhaps not consciously American or consciously seeking to do more than their best in their several ways, are animated by the free spirit of inquiry and expression that belongs to an independent nation, and so our literature is coming to have a stamp of its own that is unlike any other national stamp. And it will have this stamp more authentically and be clearer and stronger as we drop the self-consciousness of the necessity of being American.