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PAGE 11

The Imagination: Its Functions And Its Culture
by [?]

[Footnote:
“We will grieve not, rather find
Strength in what remains behind;
In the primal sympathy
Which, having been, must ever be;
In the soothing thoughts that spring
Out of human suffering;
In the faith that looks through death,
In years that bring the philosophic mind.”]

And as to keeping to that which is known and leaving the rest–how many affairs of this world are so well-defined, so capable of being clearly understood, as not to leave large spaces of uncertainty, whose very correlate faculty is the imagination? Indeed it must, in most things, work after some fashion, filling the gaps after some possible plan, before action can even begin. In very truth, a wise imagination, which is the presence of the spirit of God, is the best guide that man or woman can have; for it is not the things we see the most clearly that influence us the most powerfully; undefined, yet vivid visions of something beyond, something which eye has not seen nor ear heard, have far more influence than any logical sequences whereby the same things may be demonstrated to the intellect. It is the nature of the thing, not the clearness of its outline, that determines its operation. We live by faith, and not by sight. Put the question to our mathematicians–only be sure the question reaches them–whether they would part with the well-defined perfection of their diagrams, or the dim, strange, possibly half-obliterated characters woven in the web of their being; their science, in short, or their poetry; their certainties, or their hopes; their consciousness of knowledge, or their vague sense of that which cannot be known absolutely: will they hold by their craft or by their inspirations, by their intellects or their imaginations? If they say the former in each alternative, I shall yet doubt whether the objects of the choice are actually before them, and with equal presentation.

What can be known must be known severely; but is there, therefore, no faculty for those infinite lands of uncertainty lying all about the sphere hollowed out of the dark by the glimmering lamp of our knowledge? Are they not the natural property of the imagination? there, for it, that it may have room to grow? there, that the man may learn to imagine greatly like God who made him, himself discovering their mysteries, in virtue of his following and worshipping imagination?

All that has been said, then, tends to enforce the culture of the imagination. But the strongest argument of all remains behind. For, if the whole power of pedantry should rise against her, the imagination will yet work; and if not for good, then for evil; if not for truth, then for falsehood; if not for life, then for death; the evil alternative becoming the more likely from the unnatural treatment she has experienced from those who ought to have fostered her. The power that might have gone forth in conceiving the noblest forms of action, in realizing the lives of the true-hearted, the self-forgetting, will go forth in building airy castles of vain ambition, of boundless riches, of unearned admiration. The imagination that might be devising how to make home blessed or to help the poor neighbour, will be absorbed in the invention of the new dress, or worse, in devising the means of procuring it. For, if she be not occupied with the beautiful, she will be occupied by the pleasant; that which goes not out to worship, will remain at home to be sensual. Cultivate the mere intellect as you may, it will never reduce the passions: the imagination, seeking the ideal in everything, will elevate them to their true and noble service. Seek not that your sons and your daughters should not see visions, should not dream dreams; seek that they should see true visions, that they should dream noble dreams. Such out-going of the imagination is one with aspiration, and will do more to elevate above what is low and vile than all possible inculcations of morality. Nor can religion herself ever rise up into her own calm home, her crystal shrine, when one of her wings, one of the twain with which she flies, is thus broken or paralyzed.