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PAGE 3

The Hum Of Insects
by [?]

We need not grumble at our contemporaries, however, for not being so fine as William John McNabb. To children, for all we know, the world may still seem to be full of people who laugh because they are happy and smile because they are kind. The world will always remain to a child the chief of toys, and the hum of insects as enchanting as the hum of a musical top. Even those of us who are grown up can recover this enchantment, not only through the pleasures of memory but through the endless pleasures of watching the things that inhabit the earth. The world is always waiting to be discovered in full, and yet no life is long enough to discover the whole of a single county, or even the whole of a single parish. Who alive, for instance, knows all the moles of Sussex? I confess I got my first sight of one a few days ago, and, though I had seen dead moles hanging from trees and had read descriptions of moles, the living creature was as unexpected as if one had come on it silent upon a peak in Darien. I had never expected it to look so black and glossy in the midday sun or to have that little pink snout that made me think of it as a small underground pig. I had always been told, too, that the sound of a footstep would frighten a mole, but this mole only began to show fright at the sound of voices. Then it began to tear its way into the undergrowth with paws and snout ever trying to overtake each other. Mr Blunden has described how

The lost mole tries to pierce the mattocked clay
In agony and terror of the sun.

I got much the same impression of agony and terror as this poor creature dug its way into the grass and ferns and, coming out at the far end of the clump, bolted under a tree like a frightened pig. And yet, they say, this poor little coward is a fierce animal enough. He is, we are told, impelled by so cruel a hunger that he would die of it were it to go unsatisfied for even twenty-four hours. If he can find nothing else to eat, he will kill and eat a fellow-mole. So the authorities tell us, but I wonder how many of the authorities have even seen a mole in the very act of cannibalism. How many of them have followed him on his long journeys through the bowels of the earth? He certainly looked no South Sea monster on the Sunday morning on which for a few seconds I watched him. Nor would John Clare have written affectionately about him had he been entirely bloody-minded.

Then there was the hedgehog. The charm of hedgehogs is that we do not see them every day–that their appearance is a secret and an accident. They are a part of the busy life that goes on all about us as mysteriously as the movements of spirits. Consequently, when I was looking over a sloping field the other evening and, hearing a crackling as of sticks being trodden on, turned my eyes and saw a living creature making its way out of a wood into the grass, I was delighted to find that it was a hedgehog and not a man or a rat. I could see it only dimly in the twilight, and it was difficult to believe that so small an animal had made so great a noise. The pleasure of recognition, unfortunately, was not mutual. No sooner did the hedgehog hear a foot pressing on the road than it gave up all thoughts of its supper of insects and hobbled back into the thicket. I regretted only that I had not made a greater noise, and scared it into rolling itself into a ball, as everybody says it does when alarmed. But it is perhaps just as well that the hedgehog did not merely repeat itself in this way. We like a certain variety of behaviour in animals–some element of the unexpected that always keeps our curiosity alive and looking forward.

But we must not exaggerate the pleasure to be got from moles and hedgehogs. They make a part of our being happy, but they do not delight the whole of our being, as a child is delighted by the world every spring. It is probably the child in us that responds most wholeheartedly to such pleasures. They, like the hum of insects, help to restore the illusion of a world that is perfectly happy because it is such a Noah’s Ark of a spectacle and everybody is kind. But, even as we submit to the illusion in the garden, we become restive in our deck-chairs and remember the telephone or the daily paper or a letter that has to be written. And reality weighs on us, like a hand laid on a top, making an end of the spinning, making an end of the music. The world is no longer a toy dancing round and round. It is a problem, a run-down machine, a stuffy room full of little stabbing creatures that make an irritating noise.