The Dickensian
by
He was a quiet man, dressed in dark clothes, with a large limp straw hat; with something almost military in his moustache and whiskers, but with a quite unmilitary stoop and very dreamy eyes. He was gazing with a rather gloomy interest at the cluster, one might almost say the tangle, of small shipping which grew thicker as our little pleasure boat crawled up into Yarmouth Harbour. A boat entering this harbour, as every one knows, does not enter in front of the town like a foreigner, but creeps round at the back like a traitor taking the town in the rear. The passage of the river seems almost too narrow for traffic, and in consequence the bigger ships look colossal. As we passed under a timber ship from Norway, which seemed to block up the heavens like a cathedral, the man in a straw hat pointed to an odd wooden figurehead carved like a woman, and said, like one continuing a conversation, “Now, why have they left off having them. They didn’t do any one any harm?”
I replied with some flippancy about the captain’s wife being jealous; but I knew in my heart that the man had struck a deep note. There has been something in our most recent civilisation which is mysteriously hostile to such healthy and humane symbols.
“They hate anything like that, which is human and pretty,” he continued, exactly echoing my thoughts. “I believe they broke up all the jolly old figureheads with hatchets and enjoyed doing it.”
“Like Mr. Quilp,” I answered, “when he battered the wooden Admiral with the poker.”
His whole face suddenly became alive, and for the first time he stood erect and stared at me.
“Do you come to Yarmouth for that?” he asked.
“For what?”
“For Dickens,” he answered, and drummed with his foot on the deck.
“No,” I answered; “I come for fun, though that is much the same thing.”
“I always come,” he answered quietly, “to find Peggotty’s boat. It isn’t here.”
And when he said that I understood him perfectly.
There are two Yarmouths; I daresay there are two hundred to the people who live there. I myself have never come to the end of the list of Batterseas. But there are two to the stranger and tourist; the poor part, which is dignified, and the prosperous part, which is savagely vulgar. My new friend haunted the first of these like a ghost; to the latter he would only distantly allude.
“The place is very much spoilt now . . . trippers, you know,” he would say, not at all scornfully, but simply sadly. That was the nearest he would go to an admission of the monstrous watering place that lay along the front, outblazing the sun, and more deafening than the sea. But behind–out of earshot of this uproar–there are lanes so narrow that they seem like secret entrances to some hidden place of repose. There are squares so brimful of silence that to plunge into one of them is like plunging into a pool. In these places the man and I paced up and down talking about Dickens, or, rather, doing what all true Dickensians do, telling each other verbatim long passages which both of us knew quite well already. We were really in the atmosphere of the older England. Fishermen passed us who might well have been characters like Peggotty; we went into a musty curiosity shop and bought pipe-stoppers carved into figures from Pickwick. The evening was settling down between all the buildings with that slow gold that seems to soak everything when we went into the church.
In the growing darkness of the church, my eye caught the coloured windows which on that clear golden evening were flaming with all the passionate heraldry of the most fierce and ecstatic of Christian arts. At length I said to my companion: