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“Corot never painted until he was fifty, and I am only forty-eight. So I feel I should not let myself be discouraged.”

The problem of life is said to be the finding of a happiness that is not enjoyed at the expense of others, and surely this class have solved that Sphinx’s riddle, for they float through their days in a dream of complacency disturbed neither by corroding doubt nor harassed by jealousies.

Whole families of feeble-minded people, on the strength of an ancestor who achieved distinction a hundred years ago, live in constant thanksgiving that they “are not as other men.” None of the great man’s descendants have done anything to be particularly proud of since their remote progenitor signed the Declaration of Independence or governed a colony. They have vegetated in small provincial cities and inter-married into other equally fortunate families, but the sense of superiority is ever present to sustain them, under straitened circumstances and diminishing prestige. The world may move on around them, but they never advance. Why should they? They have reached perfection. The brains and enterprise that have revolutionized our age knock in vain at their doors. They belong to that vast “majority that is always in the wrong,” being so pleased with themselves, their ways, and their feeble little lines of thought, that any change or advancement gives their system a shock.

A painter I know was once importuned for a sketch by a lady of this class. After many delays and renewed demands he presented her one day, when she and some friends were visiting his studio, with a delightful open-air study simply framed. She seemed confused at the offering, to his astonishment, as she had not lacked aplomb in asking for the sketch. After much blushing and fumbling she succeeded in getting the painting loose, and handing back the frame, remarked:

“I will take the painting, but you must keep the frame. My husband would never allow me to accept anything of value from you!”–and smiled on the speechless painter, doubtless charmed with her own tact.

Complacent people are the same drag on a society that a brake would be to a coach going up hill. They are the “eternal negative” and would extinguish, if they could, any light stronger than that to which their weak eyes have been accustomed. They look with astonishment and distrust at any one trying to break away from their tiresome old ways and habits, and wonder why all the world is not as pleased with their personalities as they are themselves, suggesting, if you are willing to waste your time listening to their twaddle, that there is something radically wrong in any innovation, that both “Church and State” will be imperilled if things are altered. No blight, no mildew is more fatal to a plant than the “complacent” are to the world. They resent any progress and are offended if you mention before them any new standards or points of view. “What has been good enough for us and our parents should certainly be satisfactory to the younger generations.” It seems to the contented like pure presumption on the part of their acquaintances to wander after strange gods, in the shape of new ideals, higher standards of culture, or a perfected refinement of surroundings.

We are perhaps wrong to pity complacent people. It is for another class our sympathy should be kept; for those who cannot refrain from doubting of themselves and the value of their work–those unfortunate gifted and artistic spirits who descend too often the via dolorosa of discontent and despair, who have a higher ideal than their neighbors, and, in struggling after an unattainable perfection, fall by the wayside.