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PAGE 2

The Case For The Artist
by [?]

It comes, then, to this. The bee devotes its whole life to preparing for the next generation. But what is the next generation going to do? It is going to spend its whole life preparing for the third generation… and so on for ever.

An admirable community, the moralists tell us. Poor moralists! To miss so much of the joy of life; to deny oneself the pleasure (to mention only one among many) of reclining lazily on one’s back in a snap-dragon, watching the little white clouds sail past upon a sea of blue; to miss these things for no other reason than that the next generation may also have an opportunity of missing them–is that admirable? What do the bees think that they are doing? If they live a life of toil and self-sacrifice merely in order that the next generation may live a life of equal toil and self-sacrifice, what has been gained? Ask the next bee you meet what it thinks it is doing in this world, and the only answer it can give you is, “Keeping up the supply of bees.” Is that an admirable answer? How much more admirable if it could reply that it was eschewing all pleasure and living the life of a galley-slave in order that the next generation might have leisure to paint the poppy a more glorious scarlet. But no. The next generation is going at it just as hard for the same unproductive end; it has no wish to leave anything behind it–a new colour, a new scent, a new idea. It has one object only in this world–more bees. Could any scheme of life be more sterile?

Having come to this conclusion about the bee, I took fresh courage. I saw at once that it was the artist in Man which made him less contemptible than the Bee. That god-like person the grower of wheat assumed his proper level. Bread may be necessary to existence, but what is the use of existence if you are merely going to employ it in making bread? True, the farmer makes bread, not only for himself, but for the miner; and the miner produces coal–not only for himself, but for the farmer; and the farmer also Produces bread for the maker of boots, who Produces boots, not only for himself, but for the farmer and the miner. But you are still getting ting no further. It is the Life of the Bee over again, with no other object in it but mere existence. If this were all, there would be nothing to write on our tombstones but “Born 1800; Died 1880. He lived till then.”

But it is not all, because–and here I strike my breast proudly–because of us artists. Not only can we write on Shakespeare’s tomb, “He wrote Hamlet” or “He was not for an age, but for all time,” but we can write on a contemporary baker’s tomb, “He provided bread for the man who wrote Hamlet,” and on a contemporary butcher’s tomb, “He was not only for himself, but for Shakespeare.” We perceive, in fact, that the only matter upon which any worker, other than the artist, can congratulate himself, whether he be manual-worker, brain-worker, surgeon, judge, or politician, is that he is helping to make the world tolerable for the artist. It is only the artist who will leave anything behind him. He is the fighting-man, the man who counts; the others are merely the Army Service Corps of civilization. A world without its artists, a world of bees, would be as futile and as meaningless a thing as an army composed entirely of the A.S.C.

Possibly you put in a plea here for the explorer and the scientist. The explorer perhaps may stand alone. His discovery of a peak in Darien is something in itself, quite apart from the happy possibility that Keats may be tempted to bring it into a sonnet. Yes, if a Beef-Essence-Merchant has only provided sustenance for an Explorer he has not lived in vain, however much the poets and the painters recoil from his wares. But of the scientist I am less certain. I fancy that his invention of the telephone (for instance) can only be counted to his credit because it has brought the author into closer touch with his publisher.

So we artists (yes, and explorers) may be of good faith. They may try to pretend, these others, in their little times of stress, that we are nothing–decorative, inessential; that it is they who make the world go round. This will not upset us. We could not live without them; true. But (a much more bitter thought) they would have no reason for living at all, were it not for us.