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PAGE 8

Sundown Papers
by [?]

Nature is so opulent, so indifferent to that we hold most precious, such a spendthrift, evokes such wonders from such simple materials! Why should she conserve souls, when she has the original stuff of myriads of souls? She takes up, and she lays down. Her cycles of change, of life and death, go on forever. She does not lay up stores; she is, and has, all stores, whether she keep or whether she waste. It is all the same to her. There is no outside, no beyond, to her processes and possessions. There is no future for her, only an ever-lasting present. What is the very bloom and fragrance of humanity to the Infinite? In the yesterday of geologic time, humanity was not. In the to-morrow of geologic time, it will not be. The very mountains might be made of souls, and all the stars of heaven kindled with souls, such is the wealth of Nature in what we deem so precious, and so indifferent is she to our standards of valuation.

This I know, too: that the grave is not dark or cold to the dead, but only to the living. The light of the eye, the warmth of the body, still exist undiminished in the universe, but in other relations, under other forms. Shall the flower complain because it fades and falls? It has to fall before the fruit can appear. But what is the fruit of the flower of human life? Surely not the grave, as the loose thinking of some seem to imply. The only fruit I can see is in fairer flowers, or a higher type of mind and life that follows in this world, and to which our lives may contribute. The flower of life has improved through the ages–the geologic ages; from the flower of the brute, it has become the flower of the man. You and I perish, but something goes out, or may go out, from us that will help forward a higher type of mankind. To what end? Who knows? We cannot cross-question the Infinite. Something in the universe has eventuated in man, and something has profited by his ameliorations. We must regard him as a legitimate product, and we must look upon death as a legitimate part of the great cycle–an evil only from our temporary and personal point of view, but a good from the point of view of the whole.