FullReads

But the favorite haunt of the wild strawberry is an uplying meadow that has been exempt from the plow for five or six years, and that has little timothy and much daisy. When you go a-berrying, turn your steps toward the milk-white meadows. The slightly bitter odor of the daisies is very agreeable to the smell, and affords a good background for the perfume of the fruit. The strawberry cannot cope with the rank and deep-rooted clover, and seldom appears in a field till the clover has had its day. But the daisy with its slender stalk does not crowd or obstruct the plant, while its broad white flower is like a light parasol that tempers and softens the too strong sunlight. Indeed, daisies and strawberries are generally associated. Nature fills her dish with the berries, then covers them with the white and yellow of milk and cream, thus suggesting a combination we are quick to follow. Milk alone, after it loses its animal heat, is a clod, and begets torpidity of the brain; the berries lighten it, give wings to it, and one is fed as by the air he breathes or the water he drinks.

Then the delight of “picking” the wild berries! It is one of the fragrant memories of boyhood. Indeed, for boy or man to go a-berrying in a certain pastoral country I know of, where a passer-by along the highway is often regaled by a breeze loaded with a perfume of the o’er-ripe fruit, is to get nearer to June than by almost any course I know of. Your errand is so private and confidential! You stoop low. You part away the grass and the daisies, and would lay bare the inmost secrets of the meadow. Everything is yet tender and succulent; the very air is bright and new; the warm breath of the meadow comes up in your face; to your knees you are in a sea of daisies and clover; from your knees up, you are in a sea of solar light and warmth. Now you are prostrate like a swimmer, or like a surf-bather reaching for pebbles or shells, the white and green spray breaks above you; then, like a devotee before a shrine or naming his beads, your rosary strung with luscious berries; anon you are a grazing Nebuchadnezzar, or an artist taking an inverted view of the landscape.

The birds are alarmed by your close scrutiny of their domain. They hardly know whether to sing or to cry, and do a little of both. The bobolink follows you and circles above and in advance of you, and is ready to give you a triumphal exit from the field, if you will only depart.

“Ye boys that gather flowers and strawberries,
Lo, hid within the grass, an adder lies,”

Warton makes Virgil sing; and Montaigne, in his “Journey to Italy,” says: “The children very often are afraid, on account of the snakes, to go and pick the strawberries that grow in quantities on the mountains and among bushes.” But there is no serpent here,–at worst, only a bumblebee’s or yellow-jacket’s nest. You soon find out the spring in the corner of the field under the beechen tree. While you wipe your brow and thank the Lord for spring water, you glance at the initials in the bark, some of them so old that they seem runic and legendary. You find out, also, how gregarious the strawberry is,–that the different varieties exist in little colonies about the field. When you strike the outskirts of one of these plantations, how quickly you work toward the centre of it, and then from the centre out, then circumnavigate it, and follow up all its branchings and windings!

Then the delight in the abstract and in the concrete of strolling and lounging about the June meadows; of lying in pickle for half a day or more in this pastoral sea, laved by the great tide, shone upon by the virile sun, drenched to the very marrow of your being with the warm and wooing influences of the young summer!