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Storage
by
“Portions and parcels of the dreadful past”
have been known to wish for an earthquake, even, that would involve their belongings in an indiscriminate ruin.
II.
In fact, each new start in life should be made with material new to you, if comfort is to attend the enterprise. It is not only sorrowful but it is futile to store your possessions, if you hope to find the old happiness in taking them out and using them again. It is not that they will not go into place, after a fashion, and perform their old office, but that the pang they will inflict through the suggestion of the other places where they served their purpose in other years will be only the keener for the perfection with which they do it now. If they cannot be sold, and if no fire comes down from heaven to consume them, then they had better be stored with no thought of ever taking them out again.
That will be expensive, or it will be inexpensive, according to the sort of storage they are put into. The inexperienced in such matters may be surprised, and if they have hearts they may be grieved, to learn that the fire-proof storage of the furniture of the average house would equal the rent of a very comfortable domicile in a small town, or a farm by which a family’s living can be earned, with a decent dwelling in which it can be sheltered. Yet the space required is not very great; three fair-sized rooms will hold everything; and there is sometimes a fierce satisfaction in seeing how closely the things that once stood largely about, and seemed to fill ample parlors and chambers, can be packed away. To be sure they are not in their familiar attitudes; they lie on their sides or backs, or stand upon their heads; between the legs of library or dining tables are stuffed all kinds of minor movables, with cushions, pillows, pictures, cunningly adjusted to the environment; and mattresses pad the walls, or interpose their soft bulk between pieces of furniture that would otherwise rend each other. Carpets sewn in cotton against moths, and rugs in long rolls; the piano hovering under its ample frame a whole brood of helpless little guitars, mandolins, and banjos, and supporting on its broad back a bulk of lighter cases to the fire-proof ceiling of the cell; paintings in boxes indistinguishable outwardly from their companioning mirrors; barrels of china and kitchen utensils, and all the what-not of householding and house-keeping contribute to the repletion.
There is a science observed in the arrangement of the various effects; against the rear wall and packed along the floor, and then in front of and on top of these, is built a superstructure of the things that may be first wanted, in case of removal, or oftenest wanted in some exigency of the homeless life of the owners, pending removal. The lightest and slightest articles float loosely about the door, or are interwoven in a kind of fabric just within, and curtaining the ponderous mass behind. The effect is not so artistic as the mortuary mosaics which the Roman Capuchins design with the bones of their dead brethren in the crypt of their church, but the warehousemen no doubt have their just pride in it, and feel an artistic pang in its provisional or final disturbance.
It had better never be disturbed, for it is disturbed only in some futile dream of returning to the past; and we never can return to the past on the old terms. It is well in all things to accept life implicitly, and when an end has come to treat it as the end, and not vainly mock it as a suspense of function. When the poor break up their homes, with no immediate hope of founding others, they must sell their belongings because they cannot afford to pay storage on them. The rich or richer store their household effects, and cheat themselves with the illusion that they are going some time to rehabilitate with them just such a home as they have dismantled. But the illusion probably deceives nobody so little as those who cherish the vain hope. As long as they cherish it, however–and they must cherish it till their furniture or themselves fall to dust–they cannot begin life anew, as the poor do who have kept nothing of the sort to link them to the past. This is one of the disabilities of the prosperous, who will probably not be relieved of it till some means of storing the owner as well as the’ furniture is invented. In the immense range of modern ingenuity, this is perhaps not impossible. Why not, while we are still in life, some sweet oblivious antidote which shall drug us against memory, and after time shall elapse for the reconstruction of a new home in place of the old, shall repossess us of ourselves as unchanged as the things with which we shall again array it? Here is a pretty idea for some dreamer to spin into the filmy fabric of a romance, and I handsomely make a present of it to the first comer. If the dreamer is of the right quality he will know how to make the reader feel that with the universal longing to return to former conditions or circumstances it must always be a mistake to do so, and he will subtly insinuate the disappointment and discomfort of the stored personality in resuming its old relations. With that just mixture of the comic and pathetic which we desire in romance, he will teach convincingly that a stored personality is to be desired only if it is permanently stored, with the implication of a like finality in the storage of its belongings.