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To a girl of this kind, naturally curly hair is essential. It must be the sort of hair that looks better when it is soaking wet. The bottle of stuff that makes this particular hair to grow may be considered dear, if you think merely of the price. But that is not the way to look at it. “What is it going to do for me?” That is what the girl has got to ask herself. It does not do to spoil the ship for a ha’porth of tar, as the saying is. If you are going to be a dashing, wilful beauty, you must have the hair for it, or the whole scheme falls to the ground.

Eyebrows and eyelashes, the professor assumes, the lady would like to match the hair. Too much eccentricity the professor does not agree with. Nature, after all, is the best guide; neatness combined with taste, that is the ideal to be aimed at. The eyebrows should be almost straight, the professor thinks; the eyelashes long and silky, with just the suspicion of a curl. The professor would also suggest a little less cheekbone. Cheekbones are being worn low this season.

Will the lady have a dimpled chin, or does she fancy the square-cut jaw? Maybe the square-cut jaw and the firm, sweet mouth are more suitable for the married woman. They go well enough with the baby and the tea-urn, and the strong, proud man in the background. For the unmarried girl the dimpled chin and the rosebud mouth are, perhaps, on the whole safer. Some gentlemen are so nervous of that firm, square jaw. For the present, at all events, let us keep to the rosebud and the dimple.

Complexion! Well, there is only one complexion worth considering–a creamy white, relieved by delicate peach pink. It goes with everything, and is always effective. Rich olives, striking pallors– yes, you hear of these things doing well. The professor’s experience, however, is that for all-round work you will never improve upon the plain white and pink. It is less liable to get out of order, and is the easiest at all times to renew.

For the figure, the professor recommends something lithe and supple. Five foot four is a good height, but that is a point that should be discussed first with the dressmaker. For trains, five foot six is, perhaps, preferable. But for the sporting girl, who has to wear short frocks, that height would, of course, be impossible.

The bust and the waist are also points on which the dressmaker should be consulted. Nothing should be done in a hurry. What is the fashion going to be for the next two or three seasons? There are styles demanding that beginning at the neck you should curve out, like a pouter pigeon. There is apparently no difficulty whatever in obtaining this result. But if crinolines, for instance, are likely to come in again! The lady has only to imagine it for herself: the effect might be grotesque, suggestive of a walking hour-glass. So, too, with the waist. For some fashions it is better to have it just a foot from the neck. At other times it is more useful lower down. The lady will kindly think over these details and let the professor know. While one is about it, one may as well make a sound job.

It is all so simple, and, when you come to think of it, really not expensive. Age, apparently, makes no difference. A woman is as old as she looks. In future, I take it, there will be no ladies over five-and-twenty. Wrinkles! Why any lady should still persist in wearing them is a mystery to me. With a moderate amount of care any middle-class woman could save enough out of the housekeeping money in a month to get rid of every one of them. Grey hair! Well, of course, if you cling to grey hair, there is no more to be said. But to ladies who would just as soon have rich wavy-brown or a delicate shade of gold, I would point out that there are one hundred and forty-seven inexpensive lotions on the market, any one of which, rubbed gently into the head with a tooth-brush (not too hard) just before going to bed will, to use a colloquialism, do the trick.