FullReads

Had it been possible I would have remained abroad till some stroke of ill-fortune had rendered me more in tune with my fellow-countrymen. But business was pressing. The first man I talked to on Dover pier was a Customs House official. You might have thought sorrow would have made him indifferent to a mere matter of forty-eight cigars. Instead of which, he appeared quite pleased when he found them. He demanded three-and-fourpence, and chuckled when he got it. On Dover platform a little girl laughed because a lady dropped a handbox on a dog; but then children are always callous–or, perhaps, she had not heard the news.

What astonished me most, however, was to find in the railway carriage a respectable looking man reading a comic journal. True, he did not laugh much: he had got decency enough for that; but what was a grief-stricken citizen doing with a comic journal, anyhow? Before I had been in London an hour I had come to the conclusion that we English must be a people of wonderful self-control. The day before, according to the newspapers, the whole country was in serious danger of pining away and dying of a broken heart. In one day the nation had pulled itself together. “We have cried all day,” they had said to themselves, “we have cried all night. It does not seem to have done much good. Now let us once again take up the burden of life.” Some of them–I noticed it in the hotel dining-room that evening– were taking quite kindly to their food again.

We make believe about quite serious things. In war, each country’s soldiers are always the most courageous in the world. The other country’s soldiers are always treacherous and tricky; that is why they sometimes win. Literature is the art of make-believe.

“Now all of you sit round and throw your pennies in the cap,” says the author, “and I will pretend that there lives in Bayswater a young lady named Angelina, who is the most beautiful young lady that ever existed. And in Notting Hill, we will pretend, there resides a young man named Edwin, who is in love with Angelina.”

And then, there being sufficient pennies in the cap, the author starts away, and pretends that Angelina thought this and said that, and that Edwin did all sorts of wonderful things. We know he is making it all up as he goes along. We know he is making up just what he thinks will please us. He, on the other hand, has to make-believe that he is doing it because he cannot help it, he being an artist. But we know well enough that, were we to stop throwing the pennies into the cap, he would find out precious soon that he could.

The theatrical manager bangs his drum.

“Walk up! walk up!” he cries, “we are going to pretend that Mrs. Johnson is a princess, and old man Johnson is going to pretend to be a pirate. Walk up, walk up, and be in time!”

So Mrs. Johnson, pretending to be a princess, comes out of a wobbly thing that we agree to pretend is a castle; and old man Johnson, pretending to be a pirate, is pushed up and down on another wobbly thing that we agree to pretend is the ocean. Mrs. Johnson pretends to be in love with him, which we know she is not. And Johnson pretends to be a very terrible person; and Mrs. Johnson pretends, till eleven o’clock, to believe it. And we pay prices, varying from a shilling to half-a-sovereign, to sit for two hours and listen to them.

But as I explained at the beginning, my friend is a mad sort of person.