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Shakspere’s Text.–Suetonius Unravelled
by
‘As you were‘ (to speak in the phraseology of military drill), was in effect the word of command. All things reverted to their original condition. And two centuries of darkness again enveloped this famous perplexity of Roman literature. The darkness had for a few moments seemed to be unsettling itself in preparation for flight: but immediately it rolled back again; and through seven generations of men this darkness was heavier, because less hopeful than before.
Now then, I believe, all things are ready for the explosion of the catastrophe; ‘which catastrophe,’ I hear some malicious reader whispering, ‘is doubtless destined to glorify himself’ (meaning the unworthy writer of this little paper). I cannot deny it. A truth is a truth. And, since no medal, nor riband, nor cross, of any known order, is disposable for the most brilliant successes in dealing with desperate (or what may be called condemned) passages in Pagan literature, mere sloughs of despond that yawn across the pages of many a heathen dog, poet and orator, that I could mention, the more reasonable it is that a large allowance should be served out of boasting and self-glorification to all those whose merits upon this field national governments have neglected to proclaim. The Scaligers, both father and son, I believe, acted upon this doctrine; and drew largely by anticipation upon that reversionary bank which they conceived to be answerable for such drafts. Joseph Scaliger, it strikes me, was drunk when he wrote his letter on the present occasion, and in that way failed to see (what Casaubon saw clearly enough) that he had commenced shouting before he was out of the wood. For my own part, if I go so far as to say that the result promises, in the Frenchman’s phrase, to ‘cover me with glory,’ I beg the reader to remember that the idea of ‘covering’ is of most variable extent: the glory may envelope one in a voluminous robe–a princely mantle that may require a long suite of train-bearers, or may pinch and vice one’s arms into that succinct garment (now superannuated) which some eighty years ago drew its name from the distinguished Whig family in England of Spencer. Anticipating, therefore, that I shall–nay, insisting, and mutinously, if needful, that I will–be covered with glory by the approaching result, I do not contemplate anything beyond that truncated tunic, once known as a ‘spencer,’ and which is understood to cover only the shoulders and the chest.
Now, then, all being ready, and the arena being cleared of competitors (for I suppose it is fully understood that everybody but myself has retired from the contest), thrice, in fact, has the trumpet sounded, ‘Do you give it up?’ Some preparations there are to be made in all cases of contest. Meantime, let it be clearly understood what it is that the contest turns upon. Supposing that one had been called, like OEdipus of old, to a turn-up with that venerable girl the Sphinx, most essential it would have been that the clerk of the course (or however you designate the judge, the umpire, etc.) should have read the riddle propounded to Greece: how else judge of the solution? At present the elements of the case to be decided stand thus:–
A Roman noble, a man, in fact, of senatorial rank, has been robbed, robbed with violence, and with cruel scorn, of a lovely young wife, to whom he was most tenderly attached. But by whom? the indignant reader demands. By a younger son[2] of the Roman emperor Vespasian.
[Footnote 2: But holding what rank, and what precise station, at the time of the outrage? At this point I acknowledge a difficulty. The criminal was in this case Domitian, the younger son of Vespasian, the tenth Caesar, younger Brother of Titus, the eleventh Caesar, and himself, under the name of Domitian, the twelfth of the Caesars, consequently the closing prince in that series of the initial twelve Caesars whom Suetonius had undertaken to record. Now the difficulty lies here, which yet I have never seen noticed in any book: was this violence perpetrated before or after Domitian’s assumption of the purple? If after, how, then, could the injured husband have received that advice from Titus (as to repairing his loss by a second marriage), which forms part of an anecdote and a bon-mot between Titus and Lamia? Yet again, if not after but before, how was it Lamia had not invoked the protection of Vespasian, or of Titus–the latter of whom enjoyed a theatrically fine reputation for equity and moderation? ]