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[4] The great thing which the higher excitabilities give is COURAGE; and the addition or subtraction of a certain amount of this quality makes a different man, a different life. Various excitements let the courage loose. Trustful hope will do it; inspiring example will do it; love will do it, wrath will do it. In some people it is natively so high that the mere touch of danger does it, though danger is for most men the great inhibitor of action. “Love of adventure” becomes in such persons a ruling passion. “I believe,” says General Skobeleff, “that my bravery is simply the passion and at the same time the contempt of danger. The risk of life fills me with an exaggerated rapture. The fewer there are to share it, the more I like it. The participation of my body in the event is required to furnish me an adequate excitement. Everything intellectual appears to me to be reflex; but a meeting of man to man, a duel, a danger into which I can throw myself headforemost, attracts me, moves me, intoxicates me. I am crazy for it, I love it, I adore it. I run after danger as one runs after women; I wish it never to stop. Were it always the same, it would always bring me a new pleasure.

When I throw myself into an adventure in which I hope to find it, my heart palpitates with the uncertainty; I could wish at once to have it appear and yet to delay. A sort of painful and delicious shiver shakes me; my entire nature runs to meet the peril with an impetus that my will would in vain try to resist. (Juliette Adam: Le General Skobeleff, Nouvelle Revue, 1886, abridged.) Skobeleff seems to have been a cruel egoist; but the disinterested Garibaldi, if one may judge by his “Memorie,” lived in an unflagging emotion of similar danger-seeking excitement.

The difference between willing and merely wishing, between having ideals that are creative and ideals that are but pinings and regrets, thus depends solely either on the amount of steam-pressure chronically driving the character in the ideal direction, or on the amount of ideal excitement transiently acquired. Given a certain amount of love, indignation, generosity, magnanimity, admiration, loyalty, or enthusiasm of self-surrender, the result is always the same. That whole raft of cowardly obstructions, which in tame persons and dull moods are sovereign impediments to action, sinks away at once. Our conventionality,[5] our shyness, laziness, and stinginess, our demands for precedent and permission, for guarantee and surety, our small suspicions, timidities, despairs, where are they now? Severed like cobwebs, broken like bubbles in the sun–

“Wo sind die Sorge nun und Noth
Die mich noch gestern wollt’ erschlaffen?
Ich scham’ mich dess’ im Morgenroth.”

The flood we are borne on rolls them so lightly under that their very contact is unfelt. Set free of them, we float and soar and sing. This auroral openness and uplift gives to all creative ideal levels a bright and caroling quality, which is nowhere more marked than where the controlling emotion is religious. “The true monk,” writes an Italian mystic, “takes nothing with him but his lyre.”

[5] See the case on p. 69, above, where the writer describes his experiences of communion with the Divine as consisting “merely in the TEMPORARY OBLITERATION OF THE CONVENTIONALITIES which usually cover my life.”

We may now turn from these psychological generalities to those fruits of the religious state which form the special subject of our present lecture. The man who lives in his religious centre of personal energy, and is actuated by spiritual enthusiasms, differs from his previous carnal self in perfectly definite ways.