FullReads

“Lass sie betteln gehn wenn sie hungrig sind!” cries the grenadier, frantic over his Emperor’s capture, when his wife and babes are suggested; and men pent into a burning theatre have been known to cut their way through the crowd with knives.[2]

[2] “‘Love would not be love,’ says Bourget, ‘unless it could carry one to crime.’ And so one may say that no passion would be a veritable passion unless it could carry one to crime.” (Sighele: Psychollogie des sectes, p. 136.) In other words, great passions annul the ordinary inhibitions set by “conscience.” And conversely, of all the criminal human beings, the false, cowardly, sensual, or cruel persons who actually live, there is perhaps not one whose criminal impulse may not be at some moment overpowered by the presence of some other emotion to which his character is also potentially liable, provided that other emotion be only made intense enough. Fear is usually the most available emotion for this result in this particular class of persons. It stands for conscience, and may here be classed appropriately as a “higher affection.” If we are soon to die, or if we believe a day of judgment to be near at hand, how quickly do we put our moral house in order–we do not see how sin can evermore exert temptation over us! Old-fashioned hell-fire Christianity well knew how to extract from fear its full equivalent in the way of fruits for repentance, and its full conversion value.

One mode of emotional excitability is exceedingly important in the composition of the energetic character, from its peculiarly destructive power over inhibitions. I mean what in its lower form is mere irascibility, susceptibility to wrath, the fighting temper; and what in subtler ways manifests itself as impatience, grimness, earnestness, severity of character. Earnestness means willingness to live with energy, though energy bring pain. The pain may be pain to other people or pain to one’s self–it makes little difference; for when the strenuous mood is on one, the aim is to break something, no matter whose or what. Nothing annihilates an inhibition as irresistibly as anger does it; for, as Moltke says of war, destruction pure and simple is its essence. This is what makes it so invaluable an ally of every other passion. The sweetest delights are trampled on with a ferocious pleasure the moment they offer themselves as checks to a cause by which our higher indignations are elicited. It costs then nothing to drop friendships, to renounce long-rooted privileges and possessions, to break with social ties. Rather do we take a stern joy in the astringency and desolation; and what is called weakness of character seems in most cases to consist in the inaptitude for these sacrificial moods, of which one’s own inferior self and its pet softnesses must often be the targets and the victims.[3]

[3] Example: Benjamin Constant was often marveled at as an extraordinary instance of superior intelligence with inferior character. He writes (Journal, Paris, 1895, p. 56), “I am tossed and dragged about by my miserable weakness. Never was anything so ridiculous as my indecision. Now marriage, now solitude; now Germany, now France hesitation upon hesitation, and all because at bottom I am UNABLE TO GIVE UP ANYTHING.” He can’t “get mad” at any of his alternatives; and the career of a man beset by such an all-round amiability is hopeless.

So far I have spoken of temporary alterations produced by shifting excitements in the same person. But the relatively fixed differences of character of different persons are explained in a precisely similar way. In a man with a liability to a special sort of emotion, whole ranges of inhibition habitually vanish, which in other men remain effective, and other sorts of inhibition take their place. When a person has an inborn genius for certain emotions, his life differs strangely from that of ordinary people, for none of their usual deterrents check him. Your mere aspirant to a type of character, on the contrary, only shows, when your natural lover, fighter, or reformer, with whom the passion is a gift of nature, comes along, the hopeless inferiority of voluntary to instinctive action. He has deliberately to overcome his inhibitions; the genius with the inborn passion seems not to feel them at all; he is free of all that inner friction and nervous waste. To a Fox, a Garibaldi, a General Booth, a John Brown, a Louise Michel, a Bradlaugh, the obstacles omnipotent over those around them are as if non-existent. Should the rest of us so disregard them, there might be many such heroes, for many have the wish to live for similar ideals, and only the adequate degree of inhibition-quenching fury is lacking.[4]