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“Oh! Love,” they said, “is King of Kings,
And Triumph is his crown.
Earth fades in flame before his wings,
And Sun and Moon bow down.”
But that, I knew, would never do;
And Heaven is all too high.
So whenever I meet a Queen, I said,
I will not catch her eye.

“Oh! Love,” they said, and “Love,” they said,
“The Gift of Love is this;
A crown of thorns about thy head,
And vinegar to thy kiss!”–
But Tragedy is not for me;
And I’m content to be gay.
So whenever I spied a Tragic Lady,
I went another way.

And so I never feared to see
You wander down the street,
Or come across the fields to me
On ordinary feet.
For what they’d never told me of,
And what I never knew;
It was that all the time, my love,
Love would be merely you.

We come then to the five sonnets inspired by the War. Let us be sparing of clumsy comment. They are the living heart of young England; the throbbing soul of all that gracious manhood torn from its happy quest of Beauty and Certainty, flung unheated into the absurdities of War, and yet finding in this supreme sacrifice an answer to all its pangs of doubt. All the hot yearnings of “1905-08” and “1908-11” are gone; here is no Shropshire Lad enlisting for spite, but a joyous surrender to England of all that she had given. See his favourite metaphor (that of the swimmer) recur–what pictures it brings of “Parson’s Pleasure” on the Cher and the willowy bathing pool on the Cam. How one recalls those white Greek bodies against the green!

Now, God be thanked who has matched us with His hour,
And caught our youth, and wakened us from sleeping,
With hand made sure, clear eye, and sharpened power,
To turn, as swimmers into cleanness leaping.

To those who tell us England is grown old and fat and soft, there is the answer. It is no hymn of hate that England’s youth has sung, but the farewell of those who, loving life with infinite zest, have yet found in surrendering it to her the Beauty, the Certainty, yes and the Quiet, which they had sought. On those five pages are packed in simple words all the love of life, the love of woman, the love of England that make Brooke’s memory sweet. Never did the sonnet speak to finer purpose. “In his hands the thing became a trumpet”–

THE DEAD

Blow out, you bugles, over the rich Dead!
There’s none of these so lonely and poor of old,
But, dying, has made us rarer gifts than gold.
These laid the world away; poured out the red
Sweet wine of youth; gave up the years to be
Of work and joy, and that unhoped serene,
That men call age; and those who would have been,
Their sons, they gave, their immortality.

Blow, bugles, blow! They brought us, for our dearth
Holiness, lacked so long, and Love, and Pain.
Honour has come back, as a King, to earth,
And paid his subjects with a royal wage;
And Nobleness walks in our ways again;
And we have come into our heritage.

It would be misleading, perhaps, to leave Brooke’s poetry with the echo of this solemn note. No understanding of the man would be complete without mentioning the vehement gladness and merriment he found in all the commonplaces of life. Poignant to all cherishers of the precious details of existence must be his poem The Great Lover where he catalogues a sort of trade order list of his stock in life. The lines speak with the very accent of Keats. These are some of the things he holds dear–

White plates and cups, clean-gleaming,
Ringed with blue lines; and feathery, faery dust;
Wet roofs, beneath the lamp-light; the strong crust
Of friendly bread; and many tasting food;
Rainbows; and the blue bitter smoke of wood;
And radiant raindrops couching in cool flowers;
And flowers themselves, that sway through sunny hours,
Dreaming of moths that drink them under the moon;
Then, the cool kindliness of sheets, that soon
Smoothe away trouble; and the rough male kiss
Of blankets; grainy wood; live hair that is
Shining and free; blue-massing clouds; the keen
Unpassioned beauty of a great machine;
The benison of hot water; furs to touch;
The good smell of old clothes; and other such–
…All these have been my loves.

Of his humour only those who knew him personally have a right to speak; but where does one find a more perfect bit of gentle satire than Heaven where he gives us a Tennysonian fish pondering the problem of a future life.

This life cannot be All, they swear,
For how unpleasant, if it were!
One may not doubt that, somehow, Good
Shall come of Water and of Mud;
And, sure, the reverent eye must see
A Purpose in Liquidity.
We darkly know, by Faith we cry
The future is not Wholly Dry….
But somewhere, beyond Space and Time,
Is wetter water, slimier slime!

No future anthology of English wit can be complete without that exquisite bit of fooling.

Of such a sort, to use Mr. Mosher’s phrase, was Rupert Chawner Brooke, “the latest and greatest of young Englishmen.”