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PAGE 2

Rambler 208 [The Rambler’s reception. His design]
by [?]

But I have been cautious lest this offence should be frequently or grossly committed; for, as one of the philosophers directs us to live with a friend, as with one that is some time to become an enemy, I have always thought it the duty of an anonymous author to write, as if he expected to be hereafter known.

I am willing to flatter myself with hopes, that, by collecting these papers, I am not preparing, for my future life, either shame or repentance. That all are happily imagined, or accurately polished, that the same sentiments have not sometimes recurred, or the same expressions been too frequently repeated, I have not confidence in my abilities sufficient to warrant. He that condemns himself to compose on a stated day, will often bring to his task an attention dissipated, a memory embarrassed, an imagination overwhelmed, a mind distracted with anxieties, a body languishing with disease: he will labour on a barren topick, till it is too late to change it; or, in the ardour of invention, diffuse his thoughts into wild exuberance, which the pressing hour of publication cannot suffer judgment to examine or reduce.

Whatever shall be the final sentence of mankind, I have at least endeavoured to deserve their kindness. I have laboured to refine our language to grammatical purity, and to clear it from colloquial barbarisms, licentious idioms, and irregular combinations. Something, perhaps, I have added to the elegance of its construction, and something to the harmony of its cadence. When common words were less pleasing to the ear, or less distinct in their signification, I have familiarized the terms of philosophy, by applying them to popular ideas, but have rarely admitted any words not authorized by former writers; for I believe that whoever knows the English tongue in its present extent, will be able to express his thoughts without further help from other nations.

As it has been my principal design to inculcate wisdom or piety, I have allotted few papers to the idle sports of imagination. Some, perhaps, may be found, of which the highest excellence is harmless merriment; but scarcely any man is so steadily serious as not to complain, that the severity of dictatorial instruction has been too seldom relieved, and that he is driven by the sternness of the Rambler’s philosophy to more cheerful and airy companions.

Next to the excursions of fancy are the disquisitions of criticism, which, in my opinion, is only to be ranked among the subordinate and instrumental arts. Arbitrary decision and general exclamation I have carefully avoided, by asserting nothing without a reason, and establishing all my principles of judgment on unalterable and evident truth.

In the pictures of life I have never been so studious of novelty or surprise, as to depart wholly from all resemblance; a fault which writers deservedly celebrated frequently commit, that they may raise, as the occasion requires, either mirth or abhorrence. Some enlargement may be allowed to declamation, and some exaggeration to burlesque; but as they deviate farther from reality, they become less useful, because their lessons will fail of application. The mind of the reader is carried away from the contemplation of his own manners; he finds in himself no likeness to the phantom before him; and though he laughs or rages, is not reformed.

The essays professedly serious, if I have been able to execute my own intentions, will be found exactly conformable to the precepts of Christianity, without any accommodation to the licentiousness and levity of the present age. I therefore look back on this part of my work with pleasure, which no blame or praise of man shall diminish or augment. I shall never envy the honours which wit and learning obtain in any other cause, if I can be numbered among the writers who have given ardour to virtue, and confidence to truth.

[Greek: Auton ek makaron autaxios eiae amoibae.]

Celestial pow’rs! that piety regard,
From you my labours wait their last reward.