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Rambler 168 [Poetry debased by mean expressions]
by
If we start into raptures when some hero of the Iliad tells us that [Greek: doru mainetai], his lance rages with eagerness to destroy; if we are alarmed at the terrour of the soldiers commanded by Caesar to hew down the sacred grove, who dreaded, says Lucan, lest the axe aimed at the oak should fly back upon the striker:
—
Si robora sacra ferirent,
In sua credebaut redituras membra secures;
None dares with impious steel the grove to rend,
Lest on himself the destin’d stroke descend;
we cannot surely but sympathise with the horrours of a wretch about to murder his master, his friend, his benefactor, who suspects that the weapon will refuse its office, and start back from the breast which he is preparing to violate. Yet this sentiment is weakened by the name of an instrument used by butchers and cooks in the meanest employments: we do not immediately conceive that any crime of importance is to be committed with a knife; or who does not, at last, from the long habit of connecting a knife with sordid offices, feel aversion rather than terrour?
Macbeth proceeds to wish, in the madness of guilt, that the inspection of heaven may be intercepted, and that he may, in the involutions of infernal darkness, escape the eye of Providence. This is the utmost extravagance of determined wickedness; yet this is so debased by two unfortunate words, that while I endeavour to impress on my reader the energy of the sentiment, I can scarce check my risibility, when the expression forces itself upon my mind; for who, without some relaxation of his gravity, can hear of the avengers of guilt peeping through a blanket?
These imperfections of diction are less obvious to the reader, as he is less acquainted with common usages; they are therefore wholly imperceptible to a foreigner, who learns our language from books, and will strike a solitary academick less forcibly than a modish lady.
Among the numerous requisites that must concur to complete an author, few are of more importance than an early entrance into the living world. The seeds of knowledge may be planted in solitude, but must be cultivated in publick. Argumentation may be taught in colleges, and theories formed in retirement; but the artifice of embellishment, and the powers of attraction, can be gained only by general converse.
An acquaintance with prevailing customs and fashionable elegance is necessary likewise for other purposes. The injury that grand imagery suffers from unsuitable language, personal merit may fear from rudeness and indelicacy. When the success of AEneas depended on the favour of the queen upon whose coasts he was driven, his celestial protectress thought him not sufficiently secured against rejection by his piety or bravery, but decorated him for the interview with preternatural beauty. Whoever desires, for his writings or himself, what none can reasonably contemn, the favour of mankind, must add grace to strength, and make his thoughts agreeable as well as useful. Many complain of neglect who never tried to attract regard. It cannot be expected that the patrons of science or virtue should be solicitous to discover excellencies, which they who possess them shade and disguise. Few have abilities so much needed by the rest of the world as to be caressed on their own terms; and he that will not condescend to recommend himself by external embellishments, must submit to the fate of just sentiment meanly expressed, and be ridiculed and forgotten before he is understood.