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PAGE 2

Rambler 151 [The climactericks of the mind]
by [?]

Now commences the reign of judgment or reason; we begin to find little pleasure but in comparing arguments, stating propositions, disentangling perplexities, clearing ambiguities, and deducing consequences. The painted vales of imagination are deserted, and our intellectual activity is exercised in winding through the labyrinths of fallacy, and toiling with firm and cautious steps up the narrow tracks of demonstration. Whatever may lull vigilance, or mislead attention, is contemptuously rejected, and every disguise in which errour may be concealed, is carefully observed, till, by degrees, a certain number of incontestable or unsuspected propositions are established, and at last concatenated into arguments, or compacted into systems.

At length weariness succeeds to labour, and the mind lies at ease in the contemplation of her own attainments, without any desire of new conquests or excursions. This is the age of recollection and narrative; the opinions are settled, and the avenues of apprehension shut against any new intelligence; the days that are to follow must pass in the inculcation of precepts already collected, and assertion of tenets already received; nothing is henceforward so odious as opposition, so insolent as doubt, or so dangerous as novelty.

In like manner the passions usurp the separate command of the successive periods of life. To the happiness of our first years nothing more seems necessary than freedom from restraint: every man may remember that if he was left to himself, and indulged in the disposal of his own time, he was once content without the superaddition of any actual pleasure. The new world is itself a banquet; and, till we have exhausted the freshness of life, we have always about us sufficient gratifications: the sunshine quickens us to play, and the shade invites us to sleep.

But we soon become unsatisfied with negative felicity, and are solicited by our senses and appetites to more powerful delights, as the taste of him who has satisfied his hunger must be excited by artificial stimulations. The simplicity of natural amusement is now past, and art and contrivance must improve our pleasures; but, in time, art, like nature, is exhausted, and the senses can no longer supply the cravings of the intellect.

The attention is then transferred from pleasure to interest, in which pleasure is perhaps included, though diffused to a wider extent, and protracted through new gradations. Nothing now dances before the eyes but wealth and power, nor rings in the ear, but the voice of fame; wealth, to which, however variously denominated, every man at some time or other aspires; power, which all wish to obtain within their circle of action; and fame, which no man, however high or mean, however wise or ignorant, was yet able to despise. Now prudence and foresight exert their influence: no hour is devoted wholly to any present enjoyment, no act or purpose terminates in itself, but every motion is referred to some distant end; the accomplishment of one design begins another, and the ultimate wish is always pushed off to its former distance.

At length fame is observed to be uncertain, and power to be dangerous; the man whose vigour and alacrity begin to forsake him, by degrees contracts his designs, remits his former multiplicity of pursuits, and extends no longer his regard to any other honour than the reputation of wealth, or any other influence than his power. Avarice is generally the last passion of those lives of which the first part has been squandered in pleasure, and the second devoted to ambition. He that sinks under the fatigue of getting wealth, lulls his age with the milder business of saving it.

I have in this view of life considered man as actuated only by natural desires, and yielding to their own inclinations, without regard to superior principles, by which the force of external agents may be counteracted, and the temporary prevalence of passions restrained. Nature will indeed always operate, human desires will be always ranging; but these motions, though very powerful, are not resistless; nature may be regulated, and desires governed; and, to contend with the predominance of successive passions, to be endangered first by one affection, and then by another, is the condition upon which we are to pass our time, the time of our preparation for that state which shall put an end to experiment, to disappointment, and to change.