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Raking Up The Fire
by
“Then, Marianne,” said Bob, “we have something to start with, at all events. There are my English Classics and English Poets, and my uniform editions of Scott and Thackeray and Macaulay and Prescott and Irving and Longfellow and Lowell and Hawthorne and Holmes and a host more. We really have something pretty there.”
“You are a lucky girl,” I said, “to have so much secured. A girl brought up in a house full of books, always able to turn to this or that author and look for any passage or poem when she thinks of it, doesn’t know what a blank a house without books might be.”
“Well,” said Marianne, “mamma and I were counting over my treasures the other day. Do you know, I have one really fine old engraving, that Bob says is quite a genuine thing; and then there is that pencil-sketch that poor Schoene made for me the month before he died,–it is truly artistic.”
“And I have a couple of capital things of Landseer’s,” said Bob.
“There’s no danger that your rooms will not be pretty,” said I, “now you are fairly on the right track.”
“But, papa,” said Marianne, “I am troubled about one thing. My love of beauty runs into everything. I want pretty things for my table; and yet, as you say, servants are so careless, one cannot use such things freely without great waste.”
“For my part,” said my wife, “I believe in best china, to be kept carefully on an upper shelf, and taken down for high-days and holidays; it may be a superstition, but I believe in it. It must never be taken out except when the mistress herself can see that it is safely cared for. My mother always washed her china herself; and it was a very pretty social ceremony, after tea was over, while she sat among us washing her pretty cups, and wiping them on a fine damask towel.”
“With all my heart,” said I; “have your best china and venerate it,–it is one of the loveliest of domestic superstitions; only do not make it a bar to hospitality, and shrink from having a friend to tea with you, unless you feel equal to getting up to the high shelf where you keep it, getting it down, washing, and putting it up again.
“But in serving a table, I say, as I said of a house, beauty is a necessity, and beauty is cheap. Because you cannot afford beauty in one form, it does not follow that you cannot have it in another. Because one cannot afford to keep up a perennial supply of delicate china and crystal, subject to the accidents of raw, untrained servants, it does not follow that the every-day table need present a sordid assortment of articles chosen simply for cheapness, while the whole capacity of the purse is given to the set forever locked away for state occasions.
“A table-service all of simple white, of graceful forms, even though not of china, if arranged with care, with snowy, well-kept table-linen, clear glasses, and bright American plate in place of solid silver, may be made to look inviting; add a glass of flowers every day, and your table may look pretty: and it is far more important that it should look pretty for the family every day than for company once in two weeks.”
“I tell my girls,” said my wife, “as the result of my experience, you may have your pretty china and your lovely fanciful articles for the table only so long as you can take all the care of them yourselves. As soon as you get tired of doing this, and put them into the hands of the trustiest servants, some good, well-meaning creature is sure to break her heart and your own and your very pet darling china pitcher all in one and the same minute, and then her frantic despair leaves you not even the relief of scolding.”